The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
未来感太强了，癌症是终结人类的终极武器，再强的科技也不能在本体上延续，不过，所谓本体，又如何
阿里的演技代入感太强啦！电影后半段非常感人！
电影很有质感，故事不老套，还有悬疑的部分，很吸引人。声音、配乐、音效让人印象十分深刻，很赞👍
某镜没了，每年能看这么部作品也行呀。
都说诸如克隆人之类的黑科技是双刃剑，但其实，是否“黑”，完全取决于人类怎么使用它们。对于《天鹅挽歌》中描绘的克隆技术，我能想象出数不胜数的反面恶果，但仅仅就影片中展现的、其运用在生活中人性关怀的一面，我们就不能完全去否定它。
不很好看。节奏拖沓的要了人的命。叙述逻辑毫无章法。十分钟短片就可以搞定的内容拖拖拉拉，拉长成这么大一坨。又臭又长，折磨观众。浪费别人的时间等于谋财害命。
生命并不只是表象部分，科学也拷贝不了人的“精要”
“I love you. Always have. Always will.” Even if I’m no longer here, the love persists. And that matters the world.
当近端科幻切入到人文关怀与家庭伦理这样的敏感题材，胜在处理的细腻真挚。那在任何一段关系中，被人替代总是不好受的。
让一个克隆人代替你活下去为了抚慰家人，你愿意吗
Always have ,and always will
是为了给主演预留奥斯卡moment？短片的容量硬是水到两个小时，不过还是支持阿里三封
风景装修真好啊，剧情节奏有点不在我的点上，不抓人不动容
The precision of its thesis
软科幻，情感上大于内容，阿里演的太好了，每一个眼神都饱含着情感，内容不多，就导致太碎片化，立意也很浅，像概念的延伸
故事挺无聊挺没吸引力的，活脱脱像一个苹果广告片的调调
情感的表现已经足够了 希望能有更多的伦理上的讨论
“I love you，always have，and always will.”
一个我将永远离你而去 另一个我则一直陪在你身边
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