Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
不仅加入全新场景，片中所有画面皆重新调色。
看短评 还以为大家都是剧本达人。要不你去写
連恩尼遜這便當領的好讓人無語🙃（還我地表最強老爸😤
连姆大叔老了，明显力不从心了，动作尬出一身汗，大美女也有抬头纹了，唏嘘…
老的连姆尼森还是那么能打，还是那么彪悍，就是记忆不太好了
这个剧情、这个动画制作，竟然还盗用攻壳，简直了
看到结尾稍微不那么愤怒了一点。电影里大概有四十分钟的长度是被没有意义的动作戏浪费掉的，哲学讨论和解谜的内容少得可怜。
连姆叔很多次了 这个套路 各种单枪匹马 各种救 只是这次去了墨西哥 女神贝鲁奇真的老了 美人迟暮
演员阵容不错预告也不错但是正片就这？？？@TOHO府中
会有几人？
人工智能进化，程序员开发的这个也挺牛，把动画版全合成起来就是电影版，有点长。
合格的流水线作品，剧情虽然老套，但是导演拍的还是抓人。
属实不能理解这个故事后面的反转，理由倒是有，埋线不足…有点硬凑的意思….不过人物病态扭曲的心理倒是表现的很充分，比如镇长，看着就不适
从我十几岁开始，看《攻壳机动队》，除了女主角的身材，就没搞通透它在讲什么。这次也是，有头没尾。
人脑互联以挤坐一起表现。
K长残了，一时间都认不出来。小警察好像周琛啊，剧情很简单，拍的有点无聊，1.25倍速刚好
故事一般般，连姆大叔终于不救援改杀手了，莫妮卡大妈也把青春留在西西里了
为兄弟两肋插刀？哦不不不，为了女人，插兄弟两刀，呵呵
不吃L月真人改情怀 不过饼哥的演技永远在线
太过平铺直叙，角色和矛盾的推进缺少聚焦和特写，有一种被强行摁着头接受故事发展的感觉，有点浪费演员
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