Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
啊？啥？这剧情？？堪称本剧历史上最离谱……另外我看エリ也不小了啊，真的完全不记得自己爹了吗
这剧情也能拍成一部电影我是没想到，人物比剧里的表现要浮夸多了，润润的妆更是肉眼可见般不自然。看了眼我中学时买的深山熊，真是欲哭无泪.....
还是那个味儿，深山的执念代入这次的案子就很合理。案子本身很离谱，现代版东方快车谋杀案，换了个皮对集体的暴力批判了一番。电影换了一波主演嘉宾，得补一下SP，有点跳戏。
居然直接猜中凶手...michi演技不太行，全片最佳还得是西岛叔。nana又出现了但还是打了个酱油，什么时候能再搭档深山啊。接着拍下一季吧😭😭😭主题曲响起的时候真的绷不住了
洗洗睡吧，为什么要把意外做成杀人案，虽然很反转但看完大呼上当
我好无语 女主的笑声宛如有人在我旁边播抖音开水笑bgm 然后剧情和逻辑也太离谱 你就算要搞一个东方快车谋杀案一样的套路也先要明白东方快车是封闭密室吧 道枝看起来真的好傻 控诉高潮部分看起来像个局外人 nana出场好可爱 但是文乃这个角色也过于打酱油了（最后西岛俊秀好帅prprpr
投毒案本身可以给四分，没想到凶手竟然是两个小孩，为了包庇两个孩子而嫁祸给无辜的人的村民们真是罪该万死，这十五年里每天真的睡得着觉吗？
7。剧本本身是不错的，但是拍得比较浅显，节奏也稍拖沓，收尾潦草。
还是熟悉的套路，只不过这部看起来剧情略赶，并且新加的女角色表演有点浮夸，剧情走向也是有点轻佻，还好主角二人组还是那个样子，冷笑话满点，感觉看系列剧看成习惯了
比起这部里有苦衷的西岛叔，我倒是更喜欢SP里黑律师的西岛叔一些。
以服务粉丝为目的，中规中矩的剧场版，所以作为粉丝就添一星吧😂
20220625 分数全给戏份不多但是蠢萌的深山律师（并不是说他演的好，哈哈）
99.9剧版的反转都做得挺精妙的，这次映画版就比较逊色了，而且刚看完前男友的遗嘱同样的集体犯罪包庇真凶还是那边比较合理
案件一般般，感觉就是再看加长版剧，不过我就是来看冷笑话的。
99.9这个系列真的是很不错。真相也许并不是会每个人喜闻乐见的，但至少对于当事人本身是个完整的交代。不偏袒也不过度同情，只是觉得身而为人就必须承担的重量。
真的好可爱……
这剧情也能拍成一部电影我是没想到，人物比剧里的表现要浮夸多了，润润的妆更是肉眼可见般不自然。看了眼我中学时买的深山熊，真是欲哭无泪.....
实话实说，没有SP好看，其实就是个很简单的案件，弯来绕去搞了半天，全村就为了维护两个熊孩子而摧毁一整个家庭的剧情真的有够無理。。michi这个角色我愿称之为“正义天使之杀人凶手竟是我自己”，村里的几场戏都有点尬。搞笑元素和美食果然是本人最爱，好喜欢小徒弟和师傅的互动，但映画也不如SP搞笑。对西岛叔的角色南云律师这个人物背景有太大期待的结果就是真的有点失望，绘里明明是主委托人却只在开头结尾出现过，感觉就是很经典的工具人了。映画表现真的平平，在罪案类和高校刑侦律政类里也就中等，不是演员和演技的问题，主要还是剧情安排。99.9不能只靠润润在撑啊，大叔笑话还是一如既往好笑，剧情度降低了也是白搭，TBS好好磨磨脚本再拍后续吧。
案件中规中矩，各个老角色的人物呈现延续了系列一如既往的风格，小花作为新女主和SP里观感一致，好过S2，问题是西岛叔，SP里铺垫了那么多，结果还是拿着好人卡在电影里也没什么作为，多少有些令人失望。
最后表白傲娇的miyama和我团的find the answer
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