The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
西安疫情lockdown，楼下大喇叭里“请大家保持距离 防止交叉感染” 萦绕不停。面前荧幕里的人们高歌“I’m an islander. I’m an islander.”眼睛里是不容忽视的、充满生命力的光。会好的，我坚信。
“tonight we honor what was lost，but we also commemorate what we found”
音乐也很棒！
二十年前从电视新闻的报道或身边同学瞎聊而有的经历，十年前的懵懂发芽，五年前才开始接触相关纪录片，二十年后新的故事一样。角度不错，随时都可以投屏再看，再看看。 in Mar-2022
片长一小时46分钟。视觉+1，剧情没漏洞但不是特别吸引人+0.5，表演真实感+1，听觉+1，创新程度+0.5，给四星。
岛民们都好善良可爱。比天灾可怕的是人祸，愿世界和平。
唉
还不错，这种形式的舞台电影百老汇音乐剧…真是第一次看，本以为会各种跳戏，没想到很真切
上海版：come from near 邻里关系的重建和冷漠疫情政策形成鲜明对比
因为疫情产生了文本外的现实主义价值 又由于喜剧结尾在今年回归了浪漫主义 其角色具这两种精神为一身 so beautiful
看剧好幸福 me and the sky好好听 本来20年能在剧场见的我好恨啊
This is how people cure themselves from disasters
印象最深的是，有人问起飞机为什么要停在这里，因为可以这里人口最少。
又是一部优秀的音乐剧，节奏轻快，感情真挚。
经常发现眼泪先于大脑感受到情感，或者情绪，我不懂。
音乐剧真是太高尚了 节奏 情景 台词 这就是吸引人的地方
世界上有这么多优秀专业的创作人士，我平凡得就像一棵草☹️
如果只歌颂牺牲、付出和伟大，不歌颂个体、爱和自由，人的意义又在哪里得到区分。
特别适合这两天疫情和空难的背景下观看，感受善意，寻求治愈。"Tonight we honored what we lost, but we also commemorate what found."
就个人而言，这部音乐剧给我的感触不是很深，可能某些剧情会有所触动，里面的音乐也没能让我记忆犹深。
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