With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很好看很酷啊 看我最爱的两个英雄打架 有点惊悚但是没有暗夜博士吓人 近期最满意的一部电影 弥补了奇异博士1没有在电影院看的遗憾
“I love you in every universe.”感人。不过在每一个平行宇宙的结局都不好，都娶不到Christine Palmer🙃
视觉上乱得有想象力，奇异博士系列就该如此。诚实的体感让我认为这是漫威一坨又一坨s后做出变化的最爽的作品
为数不多看的漫威系列。延续了第一部的剧情，虽然博士和女主的情侣关系在多个宇宙最终现实中都没成正果，但是她们永远在心里给对方留了一个柔软的位置。特效成本看出来挺足的。不过导演的品味让情节里的特效特别像恐怖片，有些场景san值狂掉，如果不接受这类场景的谨慎去大荧幕观影…我在Imax厅看的有点小恶心…演员都非常到位，剧情也有大小高潮，可以说是中规中矩里略有心意吧。多加一颗星给Benedict和胖胖～
比想象中要好一点
总体还不错。但没有everything everywhere all at once精彩。
过场和boss战在所有漫威电影中别具一格
I will never hurt you kids🥺🥺🥺
山姆雷米永远不会让你失望，果然拍出了mcu最有特点最阴暗恐怖的电影。两个小时节奏紧凑并且不失文戏，光照会短暂出场的fan service不知道会不会有延续，America Chavez相当出彩，并且就这么点lgbtq戏份还要因此禁播的国家可算了吧，make it more gay god damn it! 唯一遗憾的是旺达戏份太太多，高潮居然都是她的角色弧。虽然非常喜欢旺达但也可惜奇异博士在自己的电影里被边缘化了。
漫威进步了，好好看好刺激呀！希望以后都按这个进步一部比一部好。
To Wanda, I love you in every universe.
感谢漫威，没有让人失望，永远有新的尝试，新的风格😭竟然还看哭了
仅仅止于一些有趣的idea…然后恭喜二郎神加入漫威宇宙！
绯红女巫之妈的多重宇宙
3.5星，看到旺达追逐戏和博士借尸还魂总有种在看僵尸片的错觉😨
剧情非常的纯，虽然说是失控宇宙但其实只是针对其中一个的宇宙而已。整体上我觉得比第一集还要好看！前作好无聊！！这次的续作我会觉得还不错。画面很好，虽然拍摄手法有时不是很好（尤其是恐怖镜头时）。剧情虽然还可以，但整体是还不错。角色 wanda 设定非常饱满！非常喜欢这个角色！这个角色很悲惨！她只是想和 孩子在一起，做个尽责的母亲！！！后面 消失真的是很可惜，她超强！！虽然跟wandavision比这部的确是输！但这部我觉得还不错，而且我有放低期待，所以期待过高应该会很失望！7.6/10
看的5GB 720p版本 看完只想说一句 还我旺达我谢谢你
惊悚片…就为了演旺达这强烈的母爱 电视剧也演 电影也演 无语了
暗黑风格漫威，有了之前没有的惊悚元素，剧本有点问题，但视效盛宴，氛围拉满，不去影院看没感觉
居然没有古一法师 不过这里的旺达也太强了吧！！！
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