A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
4、最后一句台词：“你已经救了我了”心灵救赎，老头子被困火里那一刻觉得他挺可怜的。
6.3 连着看真感觉同质化严重，并且还倒退了，离开了陌生封闭空间后，惊悚感大打折扣
豆瓣如果还是以前的豆瓣，小凤一定第一时间加入“父母皆祸害”小组。
美国的变态为什么这么多啊，你们自相残杀去吧，别迈出国门嚯嚯别人。
This is my time,sir. Because I know who I am, and I know why I'm here. Because I've earned it. I've waited for it, I've bled for it. And I'm finally ready for it. I wasn't before.
还是不错的，不算恐怖，有点血腥。剧情薄，但是完成度不错！看的爽！我觉得不要把第一部扯进来，每一部都是独立的，不更好吗！
做为体育传记片，并不算优秀，节奏有些拖沓。多一颗星给的是真实的人物本身和他拼搏的精神。不放弃的拼搏精神是口好鸡汤，总是可以打动人的。结尾看到女主原来和真实人物还是挺像的，做到了努力还原。
队伍和教练的那种信赖在那一刻简直太动人了。华纳，福尔斯，每个普通人都该感谢nfl导演过不止于一次的这样的故事发生，因为命运真的并不常常属于underdogs
但是这第二部确实比第一部精彩，
PS：竟然把男主洗白了。
经典的美国英雄、美国梦套路电影......太多这种电影了，全都一样.......
看过第一部，才好理解人物动机和部分太词。。对新观众不太友好！！
后半段节奏起来了还可以 前半段有点跳跃不连续
美国座头市啊，虽然有点夸大其词了，但总体还算可以吧。
Kurt Warner虽然是落选秀，但也是不到30就进了NFL，你找了个40的人来演。我特么看的时候以为Warner 30好几进的NFL然后还打了11年，这就不仅是励志故事，这简直是医学奇迹了。。。选角不能用点儿心么？？
复仇剧，少了第一部地下室那种kinky的成分，也少了密室的紧迫感，老头还是很猛，但这个小姑娘有点讨人嫌
后半段节奏起来了还可以 前半段有点跳跃不连续
3星，6分
小姑娘惨！实惨！被变态老大爷抢去做了假女儿，又被老爸老妈抢回去要她的心脏做手术，各种心塞啊。最后可怜的还是两只狗狗，一个莫名被害，一个被残忍抛弃。老爷子虽然有点变态，也死得其所，但是对女孩来说他是真心爱她的。
又是一部品质剧降的续集。完全抛弃了密室争斗的特色，转成略有特点的特工血浆片，失败之一；强行加入一个不知所云的小女孩，失败之二；老头主角光环过于耀眼，完全没有第一部的感觉，失败之三。
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