6 out of 7 people found the following comment useful.
A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
把系列电影搞臭应是华纳的祖传手艺，前有哈利波特越拍越烂，后有DC漫画自毁长城
钱都花在魔法上了，过程中都在哇哇哇，结尾时忽然觉得啥也没讲。
剧情确实很老套，崔岷植的表情拿捏得真的很到位，但是他打不动了
腦中反覆迴盪著碧濤那句「二次曲線很美麗的」
非常值得一看，简直是一部韩国电影史。前半段带一点悬疑和类型，后面就成大糖水片了。太像世纪初韩国电影坚持类型片走出了一条自己的路，寄生虫 后突然失去目标，变的和春晚相声一样无聊。崔岷植在电影里特别努力，但他好像不知道该怎么发力了。扫地僧内心戏太多，明显是为了结尾拔高的刻意设计，这种设计严重影响了演员对角色的塑造，简而言之就是，想多了。
一般韩影会仅仅局限于前半截“打鸡血”，会草草地讲一个“扫地僧”跟贫民子弟结缘、贫民子弟成绩一路飙升最后拿下“毕达哥拉斯竞赛”金奖的故事，了不起所有观众一起亢奋一番，表现并不会比印度早期励志片更出色，总之，止于“鲤鱼跳龙门”的阶层跃升，不会深入分析身份设定的细节、亦不会质询数学天才落难的事由，很多支线浅尝辄止，唯恐把摊子铺太大。本片不一样。本片是良心叙事、没有放弃任何一条支线：“何以脱北叛逃”的意识形态之争、教育系统内部腐败的利益之争、资源分配不公的贫富之争以及数学与艺术之间的共通性等议题的探讨无一不是好的观念的回响；“欧拉公式”之美、巴赫乐谱之美以及钢琴所演泽的常数之美是主客体交互中自由流运的抽象之美，一切又是人对客观事物的观照，足以见其人文、人本精神。相比制造一个奇观，本片更关心人的本身。
本片几大特色：
“虽然答对问题很重要
数学应该是最客观，理性的学科了吧
居然还挺好看的😂 丑东西保护协会口号太可了
看到一半睡着了
导演连简单的调度都搞不好，干脆就多摆几个摄影机，想通过后期剪辑狂切镜位来掩盖这一点。滥用剪辑在前半部分尤为突出，看得令人心烦。
入场时候咖啡厅里已只剩邓一人 看了个寂寞(？)。有点长了…神奇动物在哪儿呢？别再剪了GGAD本也没有几分钟…
我总是在想，要是邓布利多没有这么伟大，魔法世界会不会被另一个人拯救？要是邓布利多没有这么伟大，他会不会爱自己更久一点，愧疚感对他的折磨会更轻一点？会不会在将爱割下前，可以给自己犹豫的片刻，在将爱割下后，可以给自己痛哭的时间？可是，这就不是邓布利多了。邓布利多如此至善至纯，他生来便是伟大的人，他注定扛起自身命运的悲剧，为整个世界的人在下雨的时候撑起一把伞。
可是这部片子，却拍出了满满的人情味
《奇怪国家的数学家》一部典型的老带新电影，镜头节奏还不错，剧本逻辑有点像《辩护人》，把圆周率弹成旋律很惊喜，故事平却有一点可以探讨：出题人是你老师，题出错了，告诉你了正确答案，考试时你会选择那个所谓的正确选项吗？为成绩还是为真理？这是个问题！看似讲校园实则还是政治，朝鲜自身不强大只能被韩国影视无情碾压！崔岷植，韩国演员里，你是我的神！QJ
押一个崔岷植今年百想影帝。画面很漂亮，一些情节和音乐配在一起非常治愈，比如用钢琴演奏π的那一段。但是看到后面感觉有点扯。
入场时候咖啡厅里已只剩邓一人 看了个寂寞(？)。有点长了…神奇动物在哪儿呢？别再剪了GGAD本也没有几分钟…
每个动物都有点ooc，瑕疵也不少。是因为棒子之前拍的第一步刺激到老澳了，所以自己搞了一步要一雪前耻嚒？
Copyright © 2015-2023 All Rights Reserved
