Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
Sadism 施虐
小两口你侬我侬种种小🍓多好，非要学狗狗捆绳子抽皮带？！多一星给选角和精准的尺度，女主真的好顶，尺度但凡再大一点，真hold不住了…能不能让孙艺珍和玄彬婚后重拍一遍？
作为爱情喜剧来看是很好的，好奇和心动都点到为止，男女主走近彼此的时候我真的开始小鹿乱撞了。但是这部电影选了BDSM这个主题，Sub的角色是比较好塑造的一方，而徐贤一直到现在还是一张甜妹的脸（虽然她有努力在走御姐风），很适合谈恋爱，但做Dom/还有塑造这种表面性冷淡人设还是感觉很勉强。不过在我看来这片子最本质的主题还是刻板印象和BDSM的歧视，所以这片子的高光时刻发生在会议室里的那场告白，即便男主的控诉没有唤醒任何人。ps.金宝罗怎么总是在接恶人本啊
到突如其来的BE可能都还行，公司的事一下垮了，2.5
咱就是说也没必要踩前女友吧，还有结局是想说，相比职场乱搞，所谓DS才是真性情纯洁的很？然后只有DS happy ending的世界达成了？
剧情方面也乏善可陈，男主为了维护女主公然反抗上司的戏码也上演太多次了吧，估计这种桥段也就学生看了才会觉得男主好帅好勇敢真是绝美爱情吧，打工人看了只想给他一个白眼🙄
打着清色擦边球的sm题材片，但又放不开拍，网飞公司呐！也许是考虑男女主在韩国的偶像地位，总体上观感尚可，但没有亮点。
也就那樣子吧，性癖好這個事。恩。。。但是這部片並不適合大眾。也就喜歡的人會很喜歡吧。。。
有点逗。剧情本身并无特别吸引人的地方，人设也一般，亮点大概是男女主？
你以为的大尺度，其实很清水，点到即止，如果是老美拍这种题材肯定大不一样，徐贤乖乖女也演起了女王，总觉得有点违和
Netfliex第13波：用BDSM噱頭包裝的愛情片，男主的狗狗眼好像挺適合S的，但就莫名惹人憐愛大於臣服。而且不知道是不是之前都是從歐美片子了解的相關信息，總是覺得這個電影拍的不是那麼回事兒，不倫不類的感覺。
前面四十分钟看得我差点坚持不下去。后面矛盾冲突展开以后好看了许多。导演处理情欲戏挺有想法，加一颗星，徐珠贤的脸，再加一颗星，这不就及格了嘛。披着性虐外皮的恋爱电影，其实更像是BDSM性向的科普片。
当你在观影过程中，相信创作者不会搞一些你习以为常的狗血剧情出来，结果创作者真的没有辜负你的信任的时候，片子就已经足够一个好评了。
打着 SM 的旗号，实际没有拍出什么，欲言又止，因为男女主是偶像所以完全放不开。两星给徐珠贤的红色高跟鞋 @Netflix
2022. 오래만에 막내를 보는데 참 의외의 표현이다. 달콤한 매로인데도 몇 장면을 새롭게 찍고 재미있게 봤다.
结尾有点像是高考作文已经写了800字了发现离题万里于是笔锋一转强行点题
真是纯洁的SM关系，男主太拼了吧，被打被踩被咬被滴蜡
写实的部分都不错，浪漫的部分都尴尬
一向恣意出格的韓片居然把禁忌游戲拍的那麽收斂和小清新。
还蛮有趣的，整体气质偏轻松，但也不乏对BDSM的探讨。点到为止的纯情恰巧能增强张力，李濬荣也太可爱了吧。
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