Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
这部作品还不错，画面可以，剧情也很好，很励志。
2.5🌟。很新年、很现代化的古装爆米花电影。。。篡位的剧情彷佛在看喜羊羊之虎虎生威。。。配角有像张飞的还有像光头强的。。
最不值得期待的一次贺岁档。这部可以算是贺岁，被禁放的烟花爆竹，在电影里看到了。剧情无聊，人设糟糕，跟小虎墩一起押镖的两位深受重伤，然而小虎墩一点儿都没体现出难过和愧疚。无心的可怕。
虎头虎脑的虎墩十分可爱，完美契合虎年的气质，大人小孩看着都会很喜欢，跟今年的春节实在太搭了。
国内小公司的小制作也能有这样的水平，不论故事和视觉效果我觉得还不错，值得鼓励。
适合过年看的合家欢电影，就是小虎墩的建模看起来比实际年龄要小很多。性格上有熊孩子的地方但也有纯粹的真挚。音乐和布景都很好， 沙漠那段很喜欢。反派设定还蛮有意思，确实有笑到我（还有那段突如其来的日语）。剧本不错，故事讲得很完整，比起白蛇生硬的转折、大鱼海棠令人无语的后半段，这个故事相当可以。但因为题材、时限原因所以做的比较可爱简单，能感觉到剧本可以做更有深意的。总之比我预期好很多。镖师的牌子这个线索设计也很好，父母和杨镖头两次离身的对应，很喜欢这个线索。
能看出有在用心打磨故事~故事也是个人喜好的合家欢，乐开怀滴！
更加卡通，也更加保守，一种爱情观打赢另一种爱情观，或者说《天生杀人狂》式的“浪漫”和叛逆就此成为了过去，看似危险狂暴的主角实则背负着相当正确的情感理念，曾经的美国电影中的“坏孩子”们，正在被“扭转”为仅剩表面故作姿态的“三好学生”，话说回来，这部短小的电影究竟又有多少认真，也许只有那个预料之中的彩蛋，更进一步，可能仅是为了这段彩蛋而制作了整部电影。
整体来说还算是一个比较完整的动画，但放在春节档，与喜羊羊和熊出没相比，还是差了那么一些，整体的剧情没有太多新意，唯独黑大王的反转弄得还是比较不错滴。
院线第二场，朋友跟我耳语 年纪大了，受不了这种不负责任的人。就勉强能看完吧，不过我这种泪点低的人看到小虎墩想爹娘那里还是哭了（大概是刚好赶上我第一次在外过年吧
一边跟孩子看，一边教育，不能当熊孩子，讨人厌。
和孩子电影院一起看的，他也不怎么喜欢。剧情平淡，感觉搞笑的部分没有多少，打斗的部分倒是不少，也没体现出虎墩的英雄主义
一星是因为编剧完全没有想到这是一个孩子会看的电影。主角是个10岁小男孩，不听教诲、不守规矩、到处惹祸⋯最后还成功了🙀应该教小孩坚持梦想才能成功，而不是为了自己而喜好祸乱旁人。
最不值得期待的一次贺岁档。这部可以算是贺岁，被禁放的烟花爆竹，在电影里看到了。剧情无聊，人设糟糕，跟小虎墩一起押镖的两位深受重伤，然而小虎墩一点儿都没体现出难过和愧疚。无心的可怕。
毕竟小朋友不会跑来豆瓣点评
除了反派couple前半段比较有性张力外…整部片简直就是又烂又吵，看得我直翻白眼。一群白人们结束了在那鼓掌+看到小蜘蛛发出欢呼，我：呃…………这简直要烂片大集合了
我们的动画特效和视觉体验真的在进步，只是希望情节不再弱智！
这部片可能是春节档里最大的遗珠，排片也太过于低调了。“镖局”“国画”“武侠”“虎年和素”组成的冒险故事，满满的江湖风，有笑有泪又促燃， boss 有反转，细节和包袱促足。第一次发现“神奇拖后腿”’是个好词，回想就觉得好笑。促值得亲子观者！
国产动漫这几年真的太争气！无论是立意，情怀，价值观都很赞
邹四火，你这个片子放十年前还行，现在看没有进步，你团队的人都是技术出身，从导演到你，上一部豆福传就是故事出的问题。这次好一点，至少不乱。你动画定位有问题，要么给孩子看，要么给成人看。你用动画的壳做的成人故事，又怕孩子看不懂，拉低了成人片的思维。好好找个编剧，猴哥的编剧不适合动画题材。这个片子没有他的影子。还是把心思放在故事上吧。国漫已经崛起，这个水平还真不太行。你做大IP改编吧，像阅文，幻维一样。这部戏投资人肯定是亏钱了，你们团队还好。继续努力吧，别老思维了。
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