You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
当然你不能指望西方人了解1991年越共已经提出《社会主义过渡时期国家建设纲领》了。
塞缪尔杰克逊中途下车只有两种解释，一是假死，二是合同事故，谈不拢，拍了两天素材就让其强行下车，这样就根本谈不上张力，而是担心他与剧组的关系，问题就在这里：你不能在动作片里让大咖早早潦草挂掉。
OMG，查了一下基顿竟然70岁了，实在是太老了吧！拜托找年轻帅哥来和我们Maggie搭戏好吗！
原来这叫做电影 真的很无聊 拖动着看都看不下去
观感很糟糕，基本没有比较赤激的段落，豪华阵容一点儿用都没有，这不合理。🙄
熬再多的骨头汤，也无法给马丁坎贝尔补钙了。
MaggieQ就是很飒 没有她这也好意思叫电影啊
很多情节太夸张啊，顶尖杀手也得讲个逻辑不是。还有，30年前能组装枪械我信，但十几秒就完成就有点那个啥了吧，不过，年纪轻轻的就知道杀人要补枪，打了很多中二反派的脸啊
李美琪和迈克尔基顿的对手戏看着真是莫名其妙，迈克尔基顿演这个角色也太油腻了，明明应该是那种有风度，暴力与优雅共存的感觉，他现在这个形象实在太不合适了
除了童年时的女神以外也就没啥别的了，逻辑太二逼了。
《神盾局》《史密斯夫妇》《安娜》一锅乱炖，剧情中规中矩，场面平淡。男主和女主的不够养眼，扣一星。
女版007，动作场面酣畅淋漓，但是剧情弱了些
老派的槍戰動作場面，連餐桌上床上的小小玩笑都很江湖。很不錯的觀看體驗，回憶裡那個小女孩的精神氣可真是好。
MQ身材还是非常好，虽然脸是肉眼可见的衰老了。动作戏很不错，开头第一段暗杀5秒就结果三个大汉很有杰森伯恩的味道， 后面还有好几场戏都充分利用了MQ的柔韧性，利用各种技巧杀人。女杀手这个形象在动作方面塑造的是非常好，比黑寡妇都要好，黑寡妇最后那几场打戏根本不入流。但是本片的文戏部分就烂的离谱，作为父亲跟导师的塞缪尔杰克逊的黑人痞子风格跟MQ的风格太格格不入了，两人间对话就感觉是MQ强行要求自己跟上对方的语速，过于刻意。对手戏的男杀手又老又秃，虽然动作戏方面还行，但这美女与野兽的模式实在不能撩人眼球，相反看他们的对手戏总是想捂脸还有那场杀我或者上我的戏妈的就是强行给两人安排床戏。
虽然手握最新科技和武器，但本质依旧是过时的套路动作片。一如老去的蝙蝠侠，已有大妈感觉的赤裸特工。P.S.局长已经有“习惯性假死”标签了。
M.q的资源不错啊，两个影帝给配戏。四十多岁的阿姨，可以可以。
正在进行时的故事编不下去了的时候才开始回溯过往走走人物内心试图转移视线，这么生硬的叙事手法也是笨拙的可以。
前面看各种装，还挺高大上，而且还有麻惹侠，经费不足靠嘴炮，结尾简直是灾难，看完觉得很无语！
特工题材真的很容易落入俗套，全是同一个框架，这部武打设计也是软绵绵的不过瘾，但是Q姐是真的美啊，这么多年都没变过。
好尼玛无聊啊，打戏也勾不住我。每当这种时候我就觉得这种片子也有人投资，真的能赚钱吗？？
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