Devon Ke Dev...Mahadev is a Hindu spiritual television drama series which airs on Life OK channel. It premiered on 18 December, 2011 and showcases the story of Lord Shiva, also called as Mahadev.
The drama is inspired by the works of Devdutt Pattanaik. The story has been researched from Bodhisattva and has been penned up by Mihir Bhuta.
Devon Ke Dev...Mahadev is the story of the Hindu God Shiva, also called as Mahadev. The show portrays his journey from a hermit to a house holder. In the show Shiva takes many incarnations and many incidents take place. However, this plot mentions only the major events.
The story starts with the tale of Shiva's marriage with Sati. Sati who is the daughter of Prajapati Daksha, a staunch Vishnu devotee, is drawn towards Shiva against the wishes of her father. She finally marries Shiva, but soon dies by self-immolation when her husband is insulted at the yajna of Daksha. The grief-striken Shiva produces Virabhadra, who slays Daksha, however he restores Daksha's life after beseeching of Daksha's wife. A distraught Shiva leaves with burnt corpse of Sati and wanders the universe. Vishnu severs the body into pieces, shattering them on earth. Shiva transforms the pieces into Shakti Peethas, embodiments of the power of the Goddess Adi Shakti.
Sati is reborn as Parvati, the daughter of Himavan, king of the Himalayas and Mainavati. She is also the sister of the river-goddess, Ganga. Parvati is raised in the hermitage of the Shiva devotee sage Dadhichi, who teaches her devotion to Shiva. Parvati grows up and like Sati, is captivated by Shiva. She slowly remembers her past life, then wins Shiva by her austerities leading to their marriage.
Shiva and Parvati give birth to Kartikeya, who slays the demon Tarakasura and his brothers. Kartikeya is also nominated for the throne of the King of Devas but Shiva asks Indra to continue as the king. After this Kartikeya is sent to the Dakshin (south) where he is cared by Meenakshi and here he slays the demon (asura), Tripath with her help. The story goes on with the tale of the destruction of Tripura, belonging to the revengeful sons of Tarakasura, who were earlier given boons by Shiva. And just before the destruction of the Tripura, Shiva and Parvati's daughter, Ashoksundari is born.
After the destruction of Tripura, except Lord Indra (the King of Devas) everyone congratulate Shiva for destructing Tripura and also for being the father of Ashokasundari. Rishi Durvasa gives him a special garland, which Shiva gave Narada as prasadam. When given Lord Indra accepts the garland placing it on the trunk of his elephant, Airavata to proof that he is egoistic throws it. This enrages the sage and he curses Indra and evryone to be bereft of all wealth and fortune. Soon later to take revenge on the destruction of Tripura, King Bali attacks heaven and in attempt to steal Amrita (nectar of immortality). But it falls into the Ocean of milk. To get the Amrit back Devas join hands with Asuras to churn the ocean for the Amrita and to share it among them.
The churning of the ocean, known as Samudra Manthan is an elaborate process. In the process the Devas disadvantage the Asuras in many ways. Despite this, they churn the ocean. In the process Lord Vishnu also takes his second incarnation of a turtle, Kurma.
The process releases a number of things from the ocean. One product is the lethal poison known as Halahala. This could contaminate the ocean and destroy all of creation. To save everyone Lord Shiva inhales the poison in an act of self-sacrifice but Parvati rescues him by pressing his neck to stop the poison from spreading. As a result, the color of Lord Shiva's neck turns blue. During the churning many things are obtained from the ocean which includes Lakshmi, the Goddess of fortune and wealth, who is the eternal consort of Vishnu. Thus, everyone gets their wealth and fortune back. Later Vishnu takes the Amrita secretly from the Asuras and distributes it among the Devas.
The story takes some years leap after which it is shown that Kartikeya has been removed from the post of Senapati(head of the army), which pleases Indra and for the first time after so many years, a grown-up Ashoksundari meets Kartikeya. Kartikeya also meets his parents. He enlightens Ashoksundari about meditation and she inspired by it so much that she renounces her life to meditate, which disturbs Parvati.
Looking at the ill happening of the world, of how Ahalya is seduced by Indra, Mahadev come indside. Even after Mahadev tells that he is his father and many other gods tried to tell him, he still refuses. Mahadev got angry and cut Vinayak's head.
3.5颗星,从护士长身上看到了人性的伟大,另外从一个角度证实了通灵的存在。
扣一星给结尾,我这种俗人就喜欢大欢喜,身体被禁锢住,再自由的灵魂也没用吧。就像尤金妮在地下关禁闭时不一样快被折磨疯了。
就这样,我们获得了自由,获得了强大,获得了永生
一部关于女性主义的电影 虽然立意挺好的 但后面某些剧情的发展 有点过于强调女主光环 就是本来想表达女性在旧时代中任人鱼肉的残酷 但好像女主最后得到解放和自由的原因也只是她能“通灵”😂 先不说通灵这件事是否合理 反正就感觉怪怪的 而且极限一换一 护士长最后代替女主去蹲牢这个桥段也挺一言难尽的…… 不过配乐和场景真是不错 女主和护士长在不同情境下脱掉欧式胸衣 其实意境很明显了 俩人互相帮助摘掉给女性的枷锁
我真的很喜欢老宅子里、家庭成员有不能探讨的秘密这种故事,看预告觉得美不胜收,正片堪称累死设计,多余的主角像个导游,看似与价值疏离但却是进入故事、缝合意义的关键,感觉是一个Disney没有叙事野心、重在设计和舞台气氛的作品,资产可服务于乐园小镇的商铺软装,那几间房就够发挥了,狂欢性质的花街也可以马利加家族巡游的方式补充,因为音乐简直经典
恰恰在电影中,存在这样一女性,她看得见灵魂,这无疑是对正常看不见灵魂,只信仰上帝的人的一种外在的否定,在普遍信仰上帝的正常人中诞生的一个看的见非上帝的女性,普遍性的人不禁否定她,因为如果不否定她,不把她送进精神病院,就意味着这群普遍性的人的崇高信仰的坍塌。
1/10@川沙大光明 座椅还蛮舒服的,及格拉美唱唱跳跳弘扬老一套家族价值meh (反完美主义 / peer pressure/ 回归平凡之路这类议题都是蜻蜓点水)最好听是西语歌,画面仍想象力及格但框架中庸,引起兴趣的反而是政治背景
(家)看似强盛无比,实则岌岌可危。勇于指出问题的人只能默默消失,暗地里却依然无私奉献自己。看起来没能力贡献的人被百般排挤,只能摧毁一切,在废墟上重新建立秩序,才得到应有的地位、他人的尊重和认可。
想起一句话非台词,“他们判我流放,我判他们永囚城邦。”
电影开头对亲孙女米拉贝有偏见,甚至说出“你能帮的最大的忙就是站在一边”这种伤人的话。
“我在想象你坐在那里看书,但我不想等你看完。没等你看完,我就牵起了你的手,我们在海边走了一会,迎面吹来的风,清新中略带咸味。” 啊,法语就很适合这种调调。要是导演再大胆一点,让女主和弟弟来个骨科恋就好了。奶狗弟弟看姐姐的眼神,啊我沦陷了。既然女主都能和鬼魂对话,那么自由那么百无禁忌,那么和弟弟相爱好像也很理所当然,没什么奇怪的。
疯癫和正常的界限是什么,影片中讽刺味道浓郁,那些所谓的正常人、体面人,干的事那叫一个病态,真正的变态
梅拉尼真是才貌双绝啊(虽然本片中扮相略老),自编自导本片,还是女主之一;背景和服化道都很到位,配乐虽然只是简单的大提琴奏鸣曲,但和背景相得益彰,和悲凉的氛围很配。
我是女的 我也喜欢希特勒 所以可以把你送到集中营吗?
当医疗失去了道德与人性的制约,将沦为炫技的手段
全程压抑的像极了三次元,怪不得会分到惊悚这个类型。但是好心的导演给了该片一个比三次元温暖的结尾。
是不是想成长为一个一流女演员,都要至少演一次疯魔?
到底是要群像(女性的苦难)还是突出女主?最后有点两头不讨好。这个“超能力”的设定也挺奇怪的。另外最后一幕也太潦草了。@TIFF2021
在19世纪末的巴黎,当时被认为过于叛逆或难以相处的女人常被贴上疯子和体制化的标签。那些被诊断患有不同类型神经系统疾病的女人被限制在萨尔佩替耶病院。每年,医院都会和病人一起举办一场盛大的舞会,吸引到巴黎的精英。这是一个可以看见与被看见的地方。
借古讽今的女性意识觉醒,依靠配乐烘托氛围,成功让影片拥有了题材应有的力量感,可惜总体来说叙事上显得过于老套,缺乏新意 ★★★☆
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