剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 侯?涵育 1小时前 :

    哈哈哈 这是一部哪里都很莫名其妙的电影 bgm除外

  • 佑桓 8小时前 :

    说它是教育片吧,导向不正面。

  • 慧桐 4小时前 :

    听了建议,只看了结尾三分钟,super happy ending,仿佛是为了过审弄得一样。

  • 叶芷容 0小时前 :

    清水版在b站上看两分钟剪辑 其余的就是在各种地方做…但男主是真的帅 跟after差不多

  • 双佳悦 1小时前 :

    西班牙版的「之后」?不过拍的比「之后」还恶心。根本就没有啥可看的剧情,一路狗血套路到底,激情戏也是毫无看点,各方面都很粗制滥造。男女主颜值也是不如「之后」。总体来说,渣男渣女的狗血爱情烂作,心疼男二。

  • 建平心 4小时前 :

    小说写的好,嵌套其父亲小说那段有趣!帅哥、帅哥和小帅哥加上几个平凡的女生的故事。

  • 乌雅子怡 5小时前 :

    还真挺落后的爱情片。男主有钱人女主普通人 女的觉得融入不了这个家庭 到妈妈告诉她爱就要勇敢去追 最终有情人终成眷属 十几年前的套路了 看下来没什么意思 而且大段都是男女主的床戏 欧洲学生的众生色相倒是可以看看。其实有钱是一个很省事的设定 想干嘛就干嘛想去哪就去哪不需要有金钱门槛 整个故事的发展脉络也会简单很多 但这个神三角家庭的富有很架空 衣服啥的都没有很明显的贵气 所以更显得这个故事没什么意义。最后说“我是来换一条新的”倒是有点东西ww

  • 怡格 0小时前 :

    Hardin portrays romance novelist Emilia, described as a whirlwind who blows back into the lives of her adult children, Taylor (McNamara) and Zach (Lloyd-Jones), under the pretense of a book signing arranged by her hometown's local book shop. As Emilia tries to reconnect, Taylor and Zach explore new and past relationships through an app that boasts old-fashioned human connection by way of the classified ad. Zach is given a chance to heal old wounds while Taylor matches with a woman that changes the way she's always thought about

  • 时英毅 8小时前 :

    很轻松的电影,姬恋直到不是主线,主角一家,我竟然觉得太白了

  • 南蔚然 3小时前 :

    期待了好久,没想到只有几分钟的干货,而干货里,最想看的到底怎么抓住真凶的,结果就给我看车震的镜头,叹气

  • 振杰 0小时前 :

    TV最后的悬念剧场版几秒钟就完了呃……虽然看到小户川没事是放下心了 但是真的不再具体一点吗🤧🤧直接就转到电视上黑猫被逮捕

  • 双佳悦 8小时前 :

    Well written lines, slightly typical romance, more intellectual than emotional

  • 承奥维 8小时前 :

    建议把酬劳都打给剪预告片的同事,快速划拉进度条发下还是只有预告部分能看,网飞 你欠我的拿什么还

  • 佑中 7小时前 :

    平淡地讲了一遍tv版本,但结局还是让我紧张了一下,片尾加一星,太好啦~

  • 呼泰初 5小时前 :

    咱就是说欧美那边的玛丽苏比咱还过分呢,2022年了还有人为这种降智剧情贡献票房吗

  • 彩凡 4小时前 :

    电影最后的最后那部分是唯一的看点了,人物的人类形态登场,凶手出现,护士小姐姐继续进攻小户川,还有片尾PPT里面出现了一张图片暗示躲在小户川房间里面的是一只黑色的野猫。

  • 旗彭湃 0小时前 :

    其实没搞懂为什么要加这个结尾,原版就很好了。

  • 位幼萱 8小时前 :

    这是在给App打广告吧,除了Ari那对以外没什么好看的。

  • 丘冰蝶 3小时前 :

    Well written lines, slightly typical romance, more intellectual than emotional

  • 冠初然 7小时前 :

    ……………无语了,看预告还蛮期待的,结果,不是do do do吗?剧情呢?excuse me?!就这?!

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