Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
女机长饰演者的姬气真的溢出屏幕惹…她说台词有丈夫和孩子的一瞬间让人好出戏lol
2001至2021，世界变了又好像没变。先不说这样的美式主旋律正能量和国内作品的立意高下问题，100分钟的舞台演绎中，完全打破了传统音乐剧的情节和幕次、空间与场景、台词与唱段的界限，让技术完全为艺术表达服务，就很赞！
舞台利用最大化，每一位演员都身兼多名角色，性格反差明显，特别优秀。
改编自真实事件的治愈系音乐剧，精彩的舞台调度让12个人演出了上千人的感觉。来自不同地方的人因为意外齐聚异乡，却又制造了一生的羁绊，最后乐队返场也非常有趣。表演:3 剧情:3 视效:2+0.5调度 总体:8.5
音乐剧启蒙。我在20岁接受了一种新的艺术表达方式。
第一次感受到了舞台剧的震撼，这还是隔着屏幕的感受，在现场的话，非常幸福了！
Very Canadian. Very lovable. 真好，真治愈。
转场令人映像深刻，但是可能事件太遥远，没办法引起共鸣
如果你渴求一个港湾
音乐剧+人性美总是治愈任何不开心的良药。女机长的嗓音出乎我意料，我以为会是沙哑烟嗓，结果是那么高亢清晰的声音。我想说me and sky我也可以听101遍。
What we lost then what we found
以911为背景，讲述发生紧急事件后“幸存者”的体验与故事。角色塑造的大多比较丰满，印象最深刻的是女机长的故事。整个舞美、故事情节、服化道都做的不错，能感受到每一位演员为这个音乐剧付出的努力。
What we lost then what we found
疫情的时候在b站看过
印象最深的是，有人问起飞机为什么要停在这里，因为可以这里人口最少。
除此之外，剧本本身对911事件给美国社会心理带来的各方面影响的刻画也是相对比较到位的。
哭傻了，the door’s always open in Newfoundland, welcome to the rock!
塑造了一群热情友善的小镇居民。被文化输出了。
应该是看过没mark，挺真诚和愉悦的体验，忘了是女机长还是女镇长很帅气的面庞
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