Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
最近几部影视化musical感觉都不太给力啊，还是官摄看着更原汁原味
反派要杀男主先给男主打药，这也有逻辑硬伤，
Well, I'm not a girl. Nobody's perfect.
就是感觉立意挺好的，但是剧情撑不起这个立意，男女主压根儿也没有展现什么火花，然后附身的情况下也没有什么引人入胜的点，唯一可取的就是最后的动作戏，整段动作确实行云流水，韩国动作电影看来确实超越了咱们了，不过最后结尾整来一帮杀马特炮灰，主角完成反杀之后也没有解决什么问题。总结一句话，名不副实的电影
选角还是棒棒哒，但对着我的小屏幕大大削减张力。可能看现场舞台剧会好一些
7分吧。题材其实蛮不错，设定也很有趣，结尾“不，只有一个人”又是突如其来的感动。
Be yourself , forever young.
就是感觉立意挺好的，但是剧情撑不起这个立意，男女主压根儿也没有展现什么火花，然后附身的情况下也没有什么引人入胜的点，唯一可取的就是最后的动作戏，整段动作确实行云流水，韩国动作电影看来确实超越了咱们了，不过最后结尾整来一帮杀马特炮灰，主角完成反杀之后也没有解决什么问题。总结一句话，名不副实的电影
——他们都是同一个人。
我觉得很好看系列 如果故事的内在更丰富一些这个电影就无敌了 首先这个类型剧很特别 比较抓人眼球 全程很能带动故事性 故事的内核有点太空了 但是这个题材还是值得4分 尹启相太帅了！
没能看完。演员缺少魅力，困境真实但困境中人的正面与反面情绪却很模式化。
故事人物太多，变来变去的看着真累。不过，演得都不错。
主演演技一般唱功一般。这个dean看起来一点都不mean，太蠢笨了… anyways，最好的一版是OLC。
以为改编会扑街，surprisingly enjoyed it!
创意挺新颖，灵魂也能互换吗？动作+枪战也算及格，韩国人的名字真是记不住，加上脸盲，男主好像孙悟空似的变来变去，受不了。
抠除几个不合理的地方，其实还行。最主要是致幻剂能进入其他人的身体有点扯
拍得很棒了，动作戏标准以上！ 很多惊喜设计，这个武术指导很OK
相对于之前的音乐剧来说这次的电影版还是少了很多氛围感，但好像又给人很不一样的感觉。
更加扯的是，为了让男主“冷静”一下，这么贵的毒品两针管就给男主注射进去了。不心疼吗？都是钱啊。
动作戏还可以，多加一星，就是打的时间太短了，不过瘾，剧情一言难尽，太混乱了
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