Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
没有去年的搞笑，可能因为全世界跟去年比没发生什么本质的变化吧。
美国人觉得自己的自嘲精神很高级，很funny，其实每天都在我朝新闻频道上滚动播放，并不觉得有多好笑
It's everything you should know about 美式幽默.
一年一度的国外重大新闻回顾，今年的评论家字字珠玑！
We end the year as we began it.
对奥斯卡颁奖礼之类的文化现象的吐槽特别疲软无力。
what a year. 被吐槽的有一些，没被吐槽的更多。
the british lady and the american lady are still the best at their roles. do we even want to remember what has happened this year? cause its a total shit show with no promising ending
Netflix这么富明年能不能让多个地区国家拍一遍？平行叙事，浮生一年。
这是个测试题：你觉得哪一方的人说的超可笑？哪一方的人说的似乎有点道理？恭喜你，可以通过这个判断自己属于哪一方（手动狗头）
great，用俗套的英式幽默讲点美国年度总结，好像那就是世界总结一样。
多讽刺
地球人都在加班，地球能不能加个班努个力毁灭地球人啊！能不能，能不能！
反智美国的年度总结，这个超级大国从未像如今这么分裂过
跟《向上看》比说不上非常优秀，但也够聪明，用来打发无聊又莫名焦虑的一个半小时是值得的
不如去年的好笑了。不怪电影本身，只是2021年连调侃都显得很悲哀。
然后就是里面提到的很多事我真的没啥印象，就仿佛不是生活在同个世界...
放下zz正确不带观点看扯淡，会更有趣一点。
男主帅女主美！徐贤真的很适合白衬衫 说实话最后那里bobo好甜！
自己给自己黑到家，反正就是不管什么事情都要分两派，从戴不戴口罩打不打疫苗到总统选举，感觉美国人民天天过得跟辩论大赛似的。还不如干脆恢复到南北战争之前的地盘，由驴象两党分而治之呢。的亏是伪纪录片，要是真实的美国早就被玩坏了。
Copyright © 2015-2023 All Rights Reserved
