With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
另外好不容易拍出来了想着大家都会多少说点啥，结果大部分都是哑巴，只有盖总在唠叨
把所有魔神柱的剧情改成一次性全上，感觉挺不错
哎对，作为贡献了318单的股东，我不会理智打分的，必须五星给自己投资并出演的剧场版五颗星！
一起穿上礼服骑上自行车去海边
英灵宝具拍的不够炸啊，他们能不能说话？？而且就这几个人也太少了吧…
真是急死个人的男女故事，美国现在还有这么保守的青少年也是少见，以为是个爱情故事，然后就没有然后了，莫名其妙
哔哩哔哩上看的，因为游戏没玩进去动画也只看了两集的原因，这部粉丝向大电影我看得难受，三星吧，有情怀的人一定觉得很不错
这垃圾剧场版把我当年玩fgo终章的震撼和感动全毁了
好棒哦，我好喜欢，看完了就感觉很舒服，海风海浪，阳光也不会太刺眼。里面的歌也都好好听哦，我听歌识曲就没停下来过。
值得三星半的片子。柔和轻快的夏日小夜曲，美国青春片难得一见的小清新，有点民谣的feel。看着看着会发自内心地微笑，vans植入很成功。
玛修唯心盾和医生自我牺牲这一段拍的什么机芭玩意啊。。。
啊，青春，在迷惘不定中寻找方向的青春……最终她和他都找到了属于自己的光。
就那样吧
真的给我逗乐了，纯纯游戏玩家限定片，但还比不上ppt游戏本身的表现力，情怀三星了。
所有海边的影片都比较喜欢，轻松的美国青年剧。遗憾的是女主太成熟了，不像高中生诶
前面还行，后面开始赶工痕迹明显，医生那段完全比不上游戏中文字的感染力，芙芙和学妹的剧情也是几个镜头带过（其中还有几个镜头放ED了），但是作为粉丝向动画还是勉强及格了，虽然……为什么又有小太刀？？？
用有限的生命，面对死与断绝的存在。
还可以吧，挺放松。男女主都不错。海边的感觉真好。
啊，青春，在迷惘不定中寻找方向的青春……最终她和他都找到了属于自己的光。
呜呜呜，为了医生和学妹！（英灵群殴没有声优还是影响很大的诶hhh）
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