Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
除了不喜欢结局，不想接受她跟别人结婚之外，其他都很好。唉，还是在等，还是在遗憾，但仍觉美好。
整部电影几乎都看不进去，亲吻交谈和床戏都感觉情绪不够，让人觉得有点别扭，不知道是剧情问题还是演技问题，此处对比的是《蝴蝶》。拉快进的方式直接来到婚礼，从靠近说“你的内衣又扣错了”开始感到震动，从这里到全片结束的五六分钟里，层层堆叠上去，眼泪在回忆画面两人坐在地板上看电视，女生睡着了，另一个靠近很温柔的说“我爱你”，此刻情绪被带到峰值。难究其因，但爱情它来过，存在过。
32d陈妍希，香港的两个演员（小花）演得不错，32岁，28岁的时候，再去饰演18岁的高中生
虽然只有三星，但推荐观看。优点是情节细腻，雨中吻虽然中二，但是感人。缺点是动机铺陈不够，后半段略生硬，两位女演员演技也有点生涩。
为什么女生就不能有好结局？滤镜有点过于over，演员演技后面渐入佳境。两女生一起头戴头纱走教堂，挺感人的。
最后一刻，心如刀割，暴风哭泣😭 —————分割线—————又看了第二遍，结尾婚礼那场戏依然痛哭😭爱而不得是浓烈的痛楚。
如果当时是李芯悦先念的悔过书，李咏蓝会不会更勇敢一点，一切会不会变得不一样。
第一视角的心境抓得蛮到位，操场上激吻真的好勇啊，有一些细节其实把我看笑了，还可以看
“你钟意女人噶嘛”
结婚那段看了有没有十遍 看一遍哭一遍
錯過了《一級指控》，把戲飛給了這套。影評人對兩位新導演真的很好了，有讚無彈。只能說還有很多進步空間，希望能收個五百萬吧，再給我從小就開始看的楊潮凱一個機會。兩位主角倒是演得不錯，一個有演技，一個合眼緣。
想给五星又觉得差了点什么 给四星又觉得少了一点 就像她们的爱情 就是差了点什么
能看得出来演员和导演都挺青涩的，但不妨碍我还是被婚礼情节感动得一塌糊涂💔
整体观感实在是不像一部电影，掰开来看非常一般，可是不争气的我看到戴戒指那里还是落下两颗猫泪😿东亚拉拉片总是能让我高度共情，可是不要再这么苦情了，我们也想要看点快乐的拉拉片啊！！！
不太妙啊 抱着学习粤语＋看拉片的想法看的 但是剧情太拖沓了 让我无数次想快进 雨中亲吻那段挺不错的 但是全篇好像也只有这个镜头能打动我 配乐是二汶唱的 好好听 俩女主演技不太行 但是短发格外的合我眼缘
3.5，前面还行很平淡，后面真的一言难尽。说好30岁之后就可以结婚了，你又跑去结婚，还喊我当伴娘，杀人诛心啊。虽然给我戴了我想送你的戒指，何必呢，拿刀戳我心也不过如此了。一开始是你先撩我的，最后先结婚的也是你。得多强大的内心啊，要是我在有男朋友的时候我就心凉了。
希望女一送女二出嫁之后，尽快move on 找到真爱！
5.1/10 虽然不知是导演能力不足却表达欲过强, 还是导演个人经历相似导致感情被动摇, 但本片完成度不高, 浪费不少具有潜力的议题, 确实是无可争辩的事实。 青春期悸动的体验, 被过多的爱抚场面毁损, 毫无氛围感。 每一个角色的变化, 每一个阶段的成长, 也因粗枝大叶的剧本, 显得唐突又生硬。 虽然有一两场戏, 在多样元素的装点下颇为感动, 但些微亮点, 依旧难以点亮整部影片。
照样喜欢谈善言~~但剧情乱七八糟。。“我爸好锡我” 明明连拖鞋都不自己换（二汶把声还是好好听）
符合爱情片的基础设定:酸甜苦辣
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