Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
以血还血 以牙还牙 恐怖主义是全世界的敌人
很俗套，毫无惊喜。浪费了卡司。有那么一点《特别行动》的感觉，但是这部更差。
stupid, lame, yet entertaining. 雷诺兹这套表演方式真的是看到腻了，毫无好感。
网飞真有钱，电影真难看。三大主役一人一颗星吧，尊重。加朵红裙子真的好看，除此之外没了。
一般，真的一般，各种熟悉的人设，OOC的人设，毫无惊喜的人设
外语部分的俄语配音真的是让人很出戏
2022.2.24 开战当天看这个 // “两架乌克兰空军苏24战机被击落”
各种乏善可陈，发现小贱贱只能演贱贱的角色，演技实在不行……
远比不上《速度与激情特别行动》和《杀手的保镖》，也无诙谐幽默的对白，剧情也平庸无跌宕起伏快感。FBI探员约翰与罗马督察达斯来到博物馆，却被窃贼布斯将金蛋盗走。约翰在布斯家将其逮捕，窃贼主教却伪装特警将金蛋掉包偷走，还往约翰账号转入800万美元。达斯为此将约翰逮捕关押俄罗斯监狱，狱友是布斯。约翰、布斯越狱去偷低语者的第二颗蛋，却被主教夺走。二人又来到阿根廷丛林找到纳粹暗藏艺术品的地堡，找到第三颗蛋，却不料约翰和主教是搭档，欺骗夺走第三颗蛋。布斯为报复，将约翰、主教的账号告知达斯，将账号冻结。最后，3人联手去偷窃博物馆
在叙利亚这事上，毛子和漂亮国基本属于狗咬狗。
觉得勉强还行吧，体现了一个老军人的素质，也从侧面反映了俄罗斯的战场洞察能力不强，被这么接近了还不知。
前半段老套路看得有点瞌睡，后半段不断反转有点意思。还行吧。
故事节奏和剪辑问题明显，就比如公交车上的戏，一看大家就知道是英雄救美，结果硬生生分段，小高潮硬生生要熬成大高潮，结果还是不行。
在俄罗斯国防部的全力支持下，《天空》这部俄罗斯拍摄的军事动作片，有着非常接近实战的一面，其中的一些作战场面，非常写实。文戏处理比较一般，但也能传递给观众俄罗斯战斗民族的坚定信念。
俄罗斯版深入敌后，虽然都是真实战争题材，可能现实中俄罗斯版本更加精彩，但电影俄罗斯比好莱坞差太多了。
比《德维塔耶夫》的剧情正常些（PS：为啥现在连俄语都不用看字幕了🤔）
挺无脑的，剧情也漏洞百出，一开动作戏就不停切镜头还掉帧，作为个喜剧还好都能忍
松散拉胯的剧情。只有几个飞机动作比较舒服。
俄罗斯主旋律电影，但是他们拍的厉害啊，战斗机军舰全派上了。咱们国内的除了战狼2是走出国门的战争场面，还有哪部呢！！！
無字幕一刷, SSO擔當了外派人員SERE培訓、斬首、地面搜救以及外軍顧問等重任, 在電影亮相至少一半以上場景, 可以說是SSO的變相宣傳以及官方對其海外行動的認證許可.
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