Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
好久没看过这种轻松愉悦的小妞电影了，全钟瑞和孙锡久都好迷人！
纯粹为了看孙锡久。但女主我也喜欢。很轻松的一部电影，还不错啦。
好弱智，笑死
动作戏不错，还有点搞笑，很爆米花，还是有点太长了，压缩到一个半小时正好。
凯文哈特这种类型的片子都成流水线了吧，一个套路一个模板
网飞出钱索尼出品，周末特供冰镇可乐片。经典黑白搭配➕冷血杀手配搞笑话痨➕身份错位。不会做榴莲鸡蛋饼的杀手不是好厨子，伍迪哈里森有一千幅面孔，经典老梗杀手动手前都要深情讲述一番自己的悲惨身世，用自己爷爷被灰熊吃掉的故事把人吓得不打自招真的笑死。凯文哈特天生谐星太好笑了，假装刑讯逼供那里吐🤮人一身笑出声了我去。
怎么评价这么差啊？我觉得好好笑啊，经典的黑白搭配，翻版尖峰时刻的感觉，动作喜剧差点意思。很多低级的无趣笑点好戳人
话痨的烦人，佩妮打个酱油，真是老了啊。剩下剧情没啥意思。就是看完不会再刷的电影。
太模式化了 剧本偷懒的爆米花片 Kevin Hart以后每个电影都得这样了吗
感觉两位都很有性张力，恭喜久叔成为我的娱乐圈性幻想对象！
郭达拒绝出演是对的… 这什么玩意儿，烂的和毒液2有一拼。希望Netflix不会再给这对导演和编剧机会。
随便点进去看的 结果发现 太适合现在的我看了吧！看完会脸带微笑的那种💁🏻♀️（女主的橙绿搭配太喜欢了呼呼～
还可以。马马虎虎。只有一小部分搞笑，有点尖峰时刻那感觉
看到伍迪哈里森出场就知道这片好笑😂拳馆那段镜头很好，武器也比较有创意；Penny客串很惊喜，她确实适合这种粗犷姐妹角色；The man from Tokyo 是就算高糊画质惊鸿一瞥都掩盖不了的帅，看演员发现居然是山P，难怪，倒回去再舔一下屏！
分这么低不是没原因的，演员很好，台词也凑活，但就是很烂啊，没节奏很凑活
我想看孙锡久这么有性张力的一男的演点juicy的剧，但这片儿拍的是个啥啊，dating app这么个好讲的topic也没拍明白啊…
半裸孙锡久看女主的表情，那个从下往上勾人的眼神，性感爆炸。这个男人穿衣服和脱衣服就像两个人，关键是，他既能演糙汉也能演文学青年，还都毫无违和感，真的牛逼。
看了半小时实在看不下去……好难看……全和孙那么有x张力的人都救不了的程度…………….
哈里森的表演太像斯坦森了，以至于他本来想演出布鲁斯威利早期《整九码》的感觉但失败了
[视]导演<王牌特工1、2><敢死队3>，有长镜头，日本元素。索尼不支持杰森·斯坦森提议
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