"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
全员出场人物都要有故事线带来的问题就是台词和场次真的太过于密集，但是人家就是有本事全部满满当当塞下并献上华彩段落，对这个系列也算是一个完美的阶段性交代，期待这一大家子还能带来后面的新篇章
非常英国，结合老太太的法国隐秘往事和电影业从无声到有声的变革，讲了一出好故事
老粉也只能耐着性子看完，单从电影的角度来看也平平无奇
2022.6.13 经典比大英晚1个月左右上映…直接人傻 浙江实验艺术剧场居然只要5块一张！直接把成本价放上去了是吧 这不秒抢一张天理难容了都 本来高高兴兴抢了5块一张的票却因为删减6分钟导致我不想去看了直接退票！神经啊 6.9突然上线了 才20天就上线了 唐顿庄园真一直是英音的教科书式表演呢 上次第一部还看的比较懂 这部应该是我看得不怎么仔细的缘故 只知道有导演来唐顿拍戏 然后有人把南法别墅继承给某个人 后面老妇人去世了 这个我在n部影片看到过的老妇人在片中去世了 怎么感觉她在现实里也快了呢…每次看唐顿就感觉英国人真是优雅呢…从无声片到有声片的过度
Marked the times that have passed, and the people who have been with you.
我真的很喜欢这剧的感觉，富丽堂皇，森严优雅但是又很温馨，大家都有美好未来。
现实向我反复确认的是 时间是抓不住的 人会老也会死 没有什么会永垂不朽 我必须要直面这个现实 你看 老奶奶走了 其它人也都老了 我不也是吗
In my potion of view, this is the best film of 2021. If you're nearly thirty and still in a hard time chasing your dream. This film could give you some inspiration.
唐顿，矗立在新时代的十字路口，迎接着新一代。
迷你剧和第一部都没看过，不影响对内容的理解。剧情的安排和设定像流水一样自然铺开，感觉像是英式贵族传统与新兴平民媒介的冲突与融合，庄园的未来发展暗含更多可能。
老太太法国情人留给的别墅赠予曾孙女
终于到了与最至爱的老夫人告别的时刻，原来已经过去了十二年。大表哥死后就没有再追剧集，但每次看电影都感觉没有阻隔，亲切依然。不得不说风格和人物保持得太好了，时光荏苒，再见仍是当初爱上时的模样。
当暮色，朝阳升起，新的船长接过舵盘，必将引领着家族，迎接褪去辉煌。
前半剪辑节奏有点凌乱无法入戏，后半渐入佳境
最后那个灰色的长镜头，是剧组在给十多年的观众告别吧？不管是不是，都万分感恩和唐屯的相遇。
还是一如既往喜欢大小姐😍😍😍
全员出场人物都要有故事线带来的问题就是台词和场次真的太过于密集，但是人家就是有本事全部满满当当塞下并献上华彩段落，对这个系列也算是一个完美的阶段性交代，期待这一大家子还能带来后面的新篇章
The end of a fairy tale.
所有的记忆都飘向了第一部上映的2019年，当时还是在香港看的，被粤语翻译的各种人名搞到头大。转眼，真应了A New Era，戏里戏外都在告别。
7.5/10 很难描述的一种感觉，一方面很喜欢英式幽默的这种年代的典雅气质，一方面四平八稳没有什么新意。➕一句，老夫人说的对啊，生活就是接受要随时发生的意外。goodnight lady grantham
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