"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
总是能看到恶行里面的样子，那个形象印象深刻
巨星阴差阳错和一个普通人相识相爱。最终大团圆完美结局。
看着这个组合就觉得这一定是喜剧，果然不出所望😂明星指着一个人，然后瞬间变成结婚对象？让人意外的是，最后男女主竟然真的在一起了，虽然是个非常开心的结局，但是有点让人觉得不够真实。电影可以改名为《霸道女总爱上我》，整体非常俗套，狗血，套路。但是并不影响观看，甚至觉得还有点好看，集合了爱情、喜剧、音乐三项元素为一身，主演之间竟然在二十五年前有过合作！情感把控和节奏掌控也尚可，可看！3.4/5
如果尬到不行的异性恋deserves a cliche Christmas romcom, why not LGBTQ???
蛮欢乐的先‘婚’后爱的喜剧爱情电影，歌是真的好听，剧情温情套路化，中规中矩，温情依旧美式。
蛮欢乐的先‘婚’后爱的喜剧爱情电影，歌是真的好听，剧情温情套路化，中规中矩，温情依旧美式。
I just love everybody in the holiday rom com is always having champagne problems and it tricks me at this time of the year.
配乐挺好听的，只有真诚才能打动人，故事俗套无脑，不过看完还挺轻松的
低配版人鬼情未了，拍的还行，就是男女主角有点不搭。
两位50多岁的主演，演绎这种不切实际的浪漫事，怎么看都觉得差那么点激情。换Lady Gaga效果会更好吧，麦当娜找90后男配到是不违和。谁知道，总之是个俗套爱情。5
两根铁钉都比男女主角有cp感，但确实看得蛮开心的哈哈哈。
两人情歌唱得再动人，又有什么卵用？会出轨的依然会出轨！
其实故事挺感人，但是那个车祸弄的太刻意了，反而让整个故事显得有点假了
歌都好好听啊，洛佩慈真是个会唱歌的人。喜欢她的尸比月殳。
所以说 男女主的爱情跨越了生死咯？
不可避免地会被拿来与诺丁山做对比，也毫无悬念地差得很远。作为一部中上的四平八稳的RomCom比k歌情人略强，区别于过去故事的核心在于这是一个前所未有的时代：互联网是如此地无孔不入，名气与影响力从未如此被量化成直观的数据并吞噬一切，在这样的时代里，还能诞生像诺丁山一样，真诚、小心翼翼而又掏心掏肺，可以fight everything的美丽爱情吗？从豆瓣短评来看应该是不太行。这当然有创作者技法上的因素，但也许，这真的不是一个浪漫的时代。
爱情童话吧，更像是歌星版诺丁山。只能当是洛佩兹的MTV看看
非常非常老套的剧情，考虑到两位主演的岁数能拍成这样也算不错了，可以轻松一下的电影。
看完以后回想起来剧情有些cheesy，但是看的过程中很能沉浸共情。
女版“霸道总裁爱上我”，男主的鼻子太抢镜了。
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