Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
很不错啊，长镜头运动画面都能达到水准。唯一的毛病就是这车厢里怎么好像杀不完，一个劲往外冒。
其实这个本子程度大概就是SW7的水平吧，本人情怀粉觉得蛮满足的，老四人组出来的时候有被狠狠赚一波【以及彩蛋看得鼻子酸酸的全世界最好的Winston TAT【md死的是Egon真的超好猜【呜呜呜呜呜RIP老爷子。以及stranger things之后suburb town+teens打怪就是模版了，这么NYC的故事还得生拉去大乡下翻新，无法得小朋友也从幼儿版升级到了恋爱中班（同时变成了小废物23333）妹妹美死carry全场！gatekeeper和keymaster这种phillac symbol靠泡撸一己之力变成了喜剧我dig。除了无聊套路点算合格reboot吧
跟2016年女版的捉鬼敢死队没啥关系，但是可能跟我没看过的84年和89年的捉鬼敢死队有点关系，总体一般般吧，几个小屁孩捉鬼
7分，很多致敬梗，而且还会有续集，有什么不好呢？
重拍经典的问题就是，现在看起来实在是太老套了，毫无想象力
几个孩子的IQ，尤其是特雷弗，这也实在比那些成年人聪明了太多，于是也太拉低了电影观影年龄。
探测器、捉鬼陷阱、捉鬼枪、ECTO-1，伊沃出场即死，还以为会成鬼魂，再加上一堆老版致敬，这版的Gozer也太弱了，就算有提前铺垫的陷阱。
“便携式质子加速器。” “灵车再现。”
一镜到底的枪战动作电影，
就一镜到底吧，我觉得也就还行，算不上很好，但也不是很糟糕。
比Kristen Wiig那版好不了多少，这帮孩子角色无聊得很。Carrie Coon大材小用
美恐+怪奇物语+捉鬼敢死队，前半段儿童片，到后面开始疯狂卖情怀消费老版，就连最后打boss也得是老一代上才能赢。结构松散，特效极其一般，布景非常简陋，中间有一条富翁的线最后是不是莫名消失了？两位小朋友还蛮可爱的，剩下的就算了吧。
“科学是所有粒子加速器和氢弹。科学让自己染上瘟疫，然后给予冒一些风险的治疗法。科学是不够后果的。”
有鬼的存在，相应就有死去之人的灵魂存在，这是有一点浪漫的。（亚裔小男孩蛮可爱的，但他也是单眼皮噢
Finn长得也太快了，四肢拉长之后更是显得瘦壳朗精
情怀续作了。当年电影IP改编了许多游戏制作，就是今天switch上大热的路易洋馆，也未必不是衍生品。秉承了系列怪诞大条的做派，就是一种老美的自大，恰当的题材下就显为非凡勇气：这孩子怎么就不怕鬼。
拉情怀？这就是意识形态差距？丝毫没人带怕的，鬼片活生生变青春冒险片
最后原来的四位捉鬼敢死队出现了，都一把年纪了，还真挺感动的。
合格的商业片 特效还行 麦肯娜很灵 然后没了
感觉还可以吧，阿金斯拍了很多烂片。这个片子还能看。全程无尿点，惊心动魄。
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