《筋流》肖邦在线观看 高清

评分:
9.0 推荐

分类: 记录片 2013

导演: James Kent

剧情介绍

  肖邦的《G小调第一叙事曲》总长仅九分钟,诞生至今已有近二百年,却依然有着特殊的魅力,不但在视频网站上创下数百万的点击率,更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香,在各自经历了人生的不幸之后,因肖邦的叙事曲而重新振作,勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场,详细剖析这首不同寻常的钢琴曲,为我们揭开音符中的奥妙。
  This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways.
  Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface.
  For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory.
  Paul told us some more about his involvement in the programme:
  "I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!"
  The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c
  The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.

评论:

  • 博韦 1小时前 :

    原以为只是一部日系治愈动漫电影,没想到还掺加了神话色彩,奶奶一定是个可以控制式神的人吧!

  • 卫春琪 8小时前 :

    单车后座偷心,成龙杂技盗信;收不了男人,总还能收了男人的妹子;不同的指甲,相同的话语;千纸鹤之树凋谢散落,且把幻想中捅瞎自己只为他能留在身边的折纸重新铺平,逃课狂奔到正在开班会的教室向她告白:“我们再睡一次吧!”……敢爱敢恨有时候是一种极度自私的能力,挺好

  • 惠瑶 5小时前 :

    “我们再睡一次吧”

  • 孙越泽 4小时前 :

    偶然点开的一部电影治愈了四月的第一个傍晚。

  • 卫二泓 7小时前 :

    总体来说是一个相对轻松的影片

  • 卫泓霖 9小时前 :

    战斗太太太草率了,大部分妖怪好人,但又不深刻,没有特别治愈。

  • 凤昊东 7小时前 :

    重新定义家族的意义。悲伤失望的情绪会相互感染,化身一种无穷的力量压迫。背负这些但仍对未来充满希望和信心,这样迷途之人也能找到回家的路。

  • 姜怡乐 7小时前 :

    虽然我很期待疯批女主,但看完之后似乎没有想象中的精彩,感觉好像讲了点什么,又感觉好像什么都没讲。

  • 佟瀚海 7小时前 :

    画风非常喜欢,故事也简单,迷途之家是那些在灾难中失去家园的最后希望。不过后半段除妖比较突兀。

  • 卢竹悦 6小时前 :

    虽然女主很腹黑,女二很软弱,但最后的信还是kdl

  • 卫博义 8小时前 :

    为了引起喜欢男生的注意去勾引人家的女朋友,真是一个不择手段的高中女生。

  • 喜初蝶 7小时前 :

    后半段在看的时候觉得略垮,可能是主观上觉得太乱了,但仔细想想会觉得这个结尾收得非常高明,也符合逻辑。在看的刹那间能被猛烈冲击到,回味起来又觉得有温情在弥漫。

  • 冬静 7小时前 :

    又是那种一群人没有动机地在规则里做不合理的事,日本人一贯擅长的变态小清新。三星半,理性让我选择了三星,但是感性上...我 真的!!看了些女同倾向电影,大部分的感想都是觉得好美好会拍,只有这部 第二个吻真给我看激动了隐隐感觉到性取向的浮动...

  • 斋怀曼 7小时前 :

    勉强4星,剧情拖沓,床戏很硬核看得捂脸

  • 旗彭湃 5小时前 :

    这番干净,也很宁静。画帧治愈。后面高潮处理有点仓促。

  • 单碧春 0小时前 :

    影片几乎没有配乐,情节推进也很慢,前一小段意兴阑珊地看着。认真起来是爱去接近美雪那里,与同龄人割裂的美雪使用社交软件的笨拙让人好不怜爱,才把进度条拉回去投入到故事里。爱的身上,文明社会的心计和原始森林的野性并存着。她“任性而不懂克制”,想到什么下一秒就做了,从来不考虑他人的感受。她的心理问题一直都存在吧,一个人的时候总是那么用力的蹬车,也不是要赶路,像是心里憋着一口气要发泄。在求爱失败以后更是一蹶不振,失眠、起床困难、生活一团乱麻。不知道她的破坏力和她的心理问题孰因孰果,但美雪确确实实改变了她。爱是二人关系中主导的那个,要么拉着美雪走要么追在美雪身后,美雪的被动一目了然。可是美雪就像平静的大海,卷走一波爱的负面情绪,又翻上来一阵不二的浪花,轻轻拍打着,安抚着岸边躁动的她。

  • 夏秀媚 8小时前 :

    又是一部高于期待的电影~he放心食用 看过山田杏奈在新手姐妹的双人餐桌里的可爱塑造,再看这部电影里的表现,成长了,眼前一亮~

  • 婧华 6小时前 :

    每个人都有不同灾后经历,“奇妙物”到来。

  • 公羊宏邈 1小时前 :

    这番干净,也很宁静。画帧治愈。后面高潮处理有点仓促。

  • 卷乐然 8小时前 :

    还有一个就是对于家人的理解,后面强调了日结作为继承人的存在,和前面铺垫的一家人情绪有点冲突,让我咯噔一下。

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