The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
不光是death to，而是fucked up
调侃式对2021大事件的总结，不出意外的对于川普和僵尸拜登的不留情面，对于疫情下不愿带口罩人群的刻画，以及休格兰特对于007角色的不屑，完全的美帝视角。
還是很英式幽默 // what we learnt in 2021 is we learnt nothing from 2020
很多镜头都在反复出现反复用，至于观点，我不关心别人怎么看、怎么说，你们反应过度了
变成了每年的保留节目 不知不觉间一年又发生了许多疯狂荒谬的事情 虚假与真实间 世界迷茫了 人们似乎从未如此坚定却如此陌生 信任和怀疑之间不再是天平的两极而是跨次元的隔着屏障 2021年教会了我们 还像2020年一样什么都没学会
3. AUCUS with 法国 = FAUCUS
这咋还整成每年都有了，说明确实好不了了……
年年似年年，年年盼年年
今年这版更多的是讲美国的社会现象。不过还是很适合以这部作为自己今年在豆瓣的最后一个标记，来表达自己对于今年的心情：fucking 2021
但是说真的，网飞的讽刺不过是因为讽刺可以赚钱
对奥斯卡颁奖礼之类的文化现象的吐槽特别疲软无力。
比前作和隔壁don't look up差远了
Isn’t human race fucked up as a whole and too late to be saved when a streaming platform feels the need to document and summarize all the batshit crazy shits that happened in the past year because they happen more often than should and no one cares any more
和前一部相比，这部完全没有什么存在的必要。
但从另一个角度看，当今世界意识形态真的是超级割裂...
用几位演员客串一年中发生的大事。这方法叫做跨界或者融合。看这个片子感觉美国也有不少傻逼，甚至不比我们少。
但比起让刚刚过去的一年去死，我更希望2022年，回到2019年的样子。
魔幻到一定程度，就会分不清是创作还是现实。
把SM拍得这么唯美、纯情，这是类型电影的极致啊
如果说我们从2021中学到了什么，那就是我们从2020里什么都没学到
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