Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
近期看的少数还能入眼的恐怖片。新购房屋发现蹊跷最终全灭类型已经是老生常谈，该片在剧情上无甚新意，不过节奏处理的很好、剧情连贯小高潮迭起，至少算流水线上的合格品。顺便一提，女主曾经的《邻家女优》金发妞变成了大妈模样，不看演员表根本没认出来
玛德，有被吓到。有点克拉夫特，有点斯蒂芬金，有点神秘学，有点雷蒙盖顿，有点圣殿骑士团，有点玫瑰十字会，有点黄金黎明。能看。
标准的铺张浪费式恐怖片，数学家一家子失踪，公式的意义，倒贴利维坦，薛定谔的猫都只是蹭蹭根本没进去(？？)，恶魔是为了什么重现，什么条件重现，追求什么，念数字代表什么，为什么整个房子可以穿越阴阳，真的太扯了。
就，真的，没必要，害怕咱就别下去就完了，点个蜡睡一觉等爸爸妈妈回来不行吗
面对未知的黑暗要有自知之明。不要贪小便宜，会吃大亏。孩子与父母的矛盾，肯定是沟通与关注不够。
如果地狱就这样的话 那还挺可怕的（数学差的人就会进这样的地狱）
说实话100%完全彻底没认出来妈妈是当年的邻家女优~电影略老套，但也弄了些新哏，比如扯到了数学上~比如数数，后来都有人数到多少了来着？总体还行吧~
其实一开始很是那么回事，质感、氛围、神秘感全都在线，无奈这故事发展实在是太没意思了，不但内容不够丰富，而且转折也少得可怜，惊吓桥段几乎没有，也就结尾还算有点儿滋味，一点点而已。另：越看女主越眼熟，开篇8分钟多猛然想起来，是《24小时》杰克鲍尔的那个坑爹女儿呀，多年未见已经变熟女了。
鬼屋氛围还不错，有被吓到，就是山羊有点假哈哈哈哈，出戏1s
可以说烂片了，我以为有什么邪教历史背景，有什么复仇之类的目的，完全没有，为了吓人故弄玄虚，到最后也不知道在说什么，反转的也莫名其妙，女主的妈妈也没有帮她，反而要害她？？？怪物挺搞笑的，还会自己关起门
应该是山羊怪吸收所有人的灵魂重生吧 是重生还是附身呢？儿子胸前的图案是怎么回事？
没啥剧情，宗教恶魔那一套，女主反杀都喜欢～
极其后悔没及时弃剧，浪费了一部电影的时间。
电影前面一般，结尾比较精彩，有点绝望，为结尾加两星
有点恐怖，毕竟我数学不好，而且地狱还是用数学创造出来的新维度，不会解题就出不去呀！结局是有点好玩，可惜前期故事不行，不过也算是走出了恐怖片的新路线了，应证了中学老师的口头禅“学好数理化，走遍天下都不怕”这年头不会点数学都不好意思当魔神了 ，甚至连“薛定谔的猫”都懂，Baphomet要是没事干的话，真心推荐他去当数学家教，最好是教一些很调皮的学生。
真是最近几年看过的氛围感和剧情都很可以的恐怖片了！！！！尤其是结尾很加分！！！
7分吧 虽然不恐怖 但也不会太乏味 太久没有合格的恐怖片上映了 这个还算可以
说实话没太明白，献祭以后有啥好处？回复身体么？再说这怪物明明男女不忌啊😂
还是可以的，起了几次鸡皮疙瘩，但看到巴风特出来了又不觉得恐怖了。还是看不到比较好点。。。哈哈。
盒子里的蛾子之神，上下半身反着来，喜欢用屁股吃人头。用活人献祭之后，可以为你治愈一切伤病（不知道能不能赐予荣华富贵，看起来貌似不能？）。随便搜搜看一个人说这是什么玛雅古神，对这方面没啥研究，感觉对这个东西造型设计还挺有意思的。他吃人之前会催眠人，而女主反抗了催眠，神就自己藏起来了，这意思是女主太牛逼了，获得了神的支配权吗？后来男主（？）被吃掉的时候为啥不催眠了哦，就硬生生吃了。
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