Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
拉斯普京真的太风骚了，强烈建议出一个怪僧外传
这种wattpad改的电影看看男女主颜就好 剧情就算了哈哈哈而且这部几乎配角演员都换了 很容易不知道谁是谁
相对于它的难看程度而言，它的时长过分了。。。还不如我昨天看的裁缝铺杀人小故事好看
什么狗血剧情，为了男主颜值，我努力，hero你可不能胖哈！
抱着试试看的想法，结果出乎意料，好电影一部...
编导疯狂抖机灵。保持了【特工学院】【黄金圈】两部的反类型的漫画感，延续了西庄脸叔教堂屠杀、粉红摩尔阿姨杀人狂魔，这部更是贡献出了前半段的男主在中段自行开辟新支线，然后被一枪爆头的奇妙写法，仿佛是刻意搞反转。全片最大的特点是是对历史戏说，但比起【无耻混蛋】的氛围营造实在只像个恶俗意淫的玩笑，简陋而无聊。尽管拉尔夫·费因斯年轻时代优雅帅气，但六十岁的他实在不适合007或者碟中谍式的爬悬崖、械斗的硬核动作戏，反而不延续脸叔当年西装潇洒杀人的风格，谁看Kingsman是为了硬核打斗啊。最尴尬的是结尾的那场高潮打斗远远不如前段与拉斯普金那场充满性暗示的过火场面优秀。
妖僧怎么治好的腿？最后初创成员中年轻小胡子是谁？
真的也就是后面能扳回点颜面了，可惜砍头不喷血，实在不够暴力美学
狗血爱好者表示这种二十年陈年狗血大可不必，不如拍成A片对大家都好
吵架，分手，和好，kiss, do i，再吵架撕，朋友撕，家人撕，再亲嘴，再doi这就是这三部电影的套路了。
看脸看脸的电影，第三部是不是演员都成年了，怎么拍出了情色片的感觉。结尾搞得又是一部gossip girl🤣
啥？这都是些啥？？？“是的，我是你爸。” 绝嘞，这剧情hhhhh 竟然还有第四部？第四部会怎么写呢？突然好好奇
你以为它是一部爽片吧，但笑点都是尴尬而无效的，动作戏和大场面也几乎没有了前作畅快淋漓的创意和快感。 你以为它是一部纯粹鬼扯的胡闹片，却偏偏“故弄玄虚”地在那搞着史诗感的影像气质。 你以为它是一部战争片，但反战却只停留在牛津公爵“口嗨”式的人设，大家都在以不同的方式让战争持续发生。
太狗血的剧情了。电影想表达啥啊？除了当剧情A片看估计也没啥看点了。
个人觉得完爆为了暴力美学而暴力的2，武戏没有乱七八糟的装备反而可看度高了不少。感觉英国借着虚构，狂黑了一把漂亮国，确实看着可乐
男女主颜值又有又下降了！脸盲觉得男主爸爸和隔壁大叔有点像，没想到真是他亲爹 男女主不狗血了 改爸妈之间狗血了 男主太幼稚了 还没安全感 未来矛盾肯定一堆 居然还有第四部
作为王牌特工系列是不合格的 原先的那个是真的王牌特工吗· 一鼓作气，再而衰，三而竭，系列
妖僧怎么治好的腿？最后初创成员中年轻小胡子是谁？
男主为什么那么敏感小气…男主乱发脾气后女主又开始找别人 两个人半斤八两……fine 吐糟完继续等4😅
我就说怎么这部除了男女主之外的人物我都不认识了，原来是除了男女主都换人演了……经过了前两部，我到底还在期待什么？
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