Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
难不成只有靠尺度大点吸引人
社会地位断裂的人生实际上都有着同样的面孔，画廊中高谈阔论的男人女人，一个个用艺术伪装自己的虚伪，谁又比谁高级？太多男性凝视了，台湾电影能不能不要再拍死肥宅和纤纤美女的猥琐剧情了
如果你对故事情节不熟悉，没看过原版。它会以意想不到的方式给你带来惊喜，这将是一部带有疯狂动作元素的犯罪片。
Netflix越来越擅长拍这种下饭剧了🚬不差时间的可以看
两颗星是表达对Queen B的喜爱之情，跟电影毫无关系！
难不成只有靠尺度大点吸引人
目前这个电影有三个国家拍过，原版和这一版都是本国的故事，只有中国版是马来西亚的故事，这说明咱们就是好面儿
监控看不到真凶和死掉的警察是两个人吗？这bug我无语
我们Queen B真的是倒了血霉啊 老公 闺蜜都对她不忠💔
第一次见温贞菱演这样的角色还真是不适应呢!
垃圾电影，看到这样的无脑女主真生气，最后女主知道自己的老公是杀人凶手，在那跟他理论起来了，根本不考虑自己会不会被灭，一点都不符合正常人该有的思路，编剧是在那骗傻子呢
是寂寞，还是欲望得不到满足？人们都不开心，历史在覆灭，没有人关心未来。香艳镜头很多，影片本身尺度不大；温贞菱的演技很有突破，但一看就不会抽烟。
很多电影爱用角色在浴缸或者水下闭息以致“窒息”的桥段。
台湾暗黑社会片已经泛滥了，这部节奏把控不行。
很烂 很讨厌这种矫揉造作的女主人设和电影风格 男主在床上的镜头比较帅
本片翻拍自2014年韩国电影《走到尽头》。翻拍的中规中矩，自身也没有特别的亮点。
剧情简单粗暴，反转的也很顺畅，最亲近的人伤得最深，男人真是可怕
外出旅行的女生们，别喝酒，常与家人报备，时刻提高安全意识
总要生出悲天悯人的气质才好呢
比起韩国那版，这部演员表演太差，法语也没有韩语“阿西吧”的那种气势，语言表现力弱，细节缺失，逻辑失恰，气氛营造不够，动作戏方面就更比不上了。
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