With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
本片能1.把勇气说清楚2.在既行现实里保留男孩的幻想3.把能力说清楚。1.大闹天宫冲破桎梏的本质力量2.基于逃避的乌托邦式价值观，追求的激情3.原冠军级射击类游戏电竞队主力。导演借助电影和手游将勇气、幻想与能力打通，使得前方的困难被化解，冒险、泯灭黑暗拥抱崇高、赢得胜利与留下儿子（及灭欲式的少年爱情）同时实现成为穷男英雄的王冠。第四颗星给描摹了女性角色想象和呈现空间的作品本身的诚实。第五颗星给呈现男性自身想象和判断的作品本身的诚实。网络是舞台，游戏是舞台，一和行使压迫的黑暗挂钩，英雄就涌现。人在舞台展现自我绽放，一次又一次，也许一把又一把，舞台和大地交织在一起，自身得以呈现和发出话语，生活是舞台有了常新的辩证意义。这种超现实的新片子多好，和奥运一样好。
胡国瀚商业片未来可期啊，年轻有为。
实况游戏真人枪战的设计倒还挺亮点，几次高潮和反转，老套但难掩热血。此外，除去资本黑幕以外的现实部分就比较拉胯，情节脱离实际，虚假感十足，一看编剧就是犯了不切实际的通病，构想了一种自我想当然的普通人生活。
没有乍看那么烂，当然整体确实还是烂，但是一些细节反倒很好。比如游戏技巧的描述，清晰可爱。父子的部分也充满了自然松弛感，非常棒。如果这种思路清晰和自然感也扩散到起到角色和剧情部分，把主线的三流剧情改改，整体就有三颗甚至四颗星的价值了。
臭玩游戏的都是傻缺，此言诚不我欺。这电影里面有年轻时打游戏打到让女朋友堕胎的，有四打一被反杀的，有打线下职业比赛开挂的，有在打比赛前聚众斗殴的，有过了三十岁只会打游戏并一事无成还妄想出成绩的，有想争名次的队伍里却还有女人的。
看得到一腔真诚。很阳光年轻的电影。游戏世界的代入感很好，情境设计也有趣。游戏外温情也也不泛泛肤浅，很动人。电影的制作精致，演员也顺眼。实在算网大新世代的门面之作。
以为自己是周星驰呢？还真有点《长江7号》的意思！
体验一下人类高质量网大，至少导演在打游戏和拍电影上都是专业的。
完全对得起四颗星，但是我出于个人的感同身受和体验以及对这种新导演小成本用心之作的鼓励多给一颗星。尤其是一开场通过男主和大主播的直播间热度和实力差距成反比来铺垫男主（其实是现在年轻人）“游戏中人人公平”这个从现实中投射来的呼吁，特别是直播间几乎没人然后来了一个人送了一个礼物就念他的ID我经历过几次，觉得主播们很不容易。
尽量简单说：
看在是场青岛戏，加一分。名不见经传，简直是一场奇迹。
别说，还真不错！把我这样一个不玩游戏的人 都给看激动了～
1、虽然有些粗糙，但游戏还原度和对电竞的真爱明显大于几部电竞外衣电视剧的总和。2、导演很喜欢AC/DC
作为网大确实给观众一个惊喜 故事完整 而且游戏画面真人化做得十分出色 毫无违和感 很多游戏的细节内容都很好地拍摄出来 希望以后的网大也能像这部一样出精品
减一星因为莫名其妙的队友感情线。
五星，为突破和挑战喝彩。这tm才是热血电竞呀
这两个小时很充实，很开心。
更像是个文艺片，结局前妻回归？队友转身深藏功与名？工具人？所以完全为了观众找来一个女队友？
其实只值三星半，就是普通的体育励志片套路，不过网络电影拍游戏题材拍到这个水平值得鼓励半星。女主很美像孟美岐，最后的平底锅太燃了！
慕名而来(《虹膜》推荐)。部分虚拟(游戏)现实融合的场景，能看出主创心思，奈何技术不到，不过还是让人看到游戏与电影融合，视效表达更趋多元的未来。剧情契合网大受众，讲的依然是「逆袭」主旨。阔能比起"人到中年，靠游戏逆袭"的脚本，我还是更偏爱"血气方刚，妄想「逆天改命」的豪气"。热爱「电竞」，难道只因为它是一座"避风港"吗？"ta是我走投无路的选择"和"与万千选择中，我只钟意于此"，我更偏爱后者，这也大概是我更喜欢《穿越火线》的原因吧。全片最燃的点，是"光头强"的不「苟着」。平底锅大战，有意又有趣。
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