Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
大闹婚礼那段明显就是水时长
单纯只为看金·凯瑞，应该是比1的戏份多了点，还开了场，就那么点戏，却是全片亮点。反而其他都是配戏，超级赛亚人对抗圆形机甲，以为能过几招，结果弹指间灰飞烟灭，懵！5
比我预想中的好看些，红色的那只也有点呆呆的笑死了哈哈哈
没有过度模仿经典，也没有无下限恶搞，能看得出来导演很克制的表达，在延续老版悲剧内核的基础上，加入了新的爱情观，确实可以的。
蛋头也还是我最喜欢的
sonic the atlas / sonic the hotdog
挺炫酷的，这两三年美国新电影明显含黑率更高了
可圈可点，没那么尬，算不错了，来看达叔的，想他老人家了。
结尾当紫霞借月光宝盒再回到相遇的场景，一路走来场景历历在目。当至尊宝来问她是不是在哪见过？紫霞却不敢回头，因为怕一回头，就心软了。这份注定错过的遗憾，跟原版还是很像的，不拘泥原版的表达有些惊喜！
5.7分不至于，男女主演得都不尬，女主还挺适合紫霞这个角色，是我见过这么多紫霞里除朱茵外最适合的，男主看着丑丑的，看惯了就还好，挺顺眼的，主要演的都不差，已经可以及格了， 编剧和导演一定是星爷的粉丝，除了最基本的大话西游的元素，凑满了各种星爷电影的演员，比如招亲的父亲是美人鱼的那个飞天老板，算命的是功夫里的老乞丐，客栈的妖怪风格也很像西游伏妖篇的蜘蛛精，处理人肉很像降魔篇的猪刚鬣客栈，老的老板娘是美人鱼和降魔篇的那个大妈，被杀的顾客是少林足球里的猪肉荣 还有其他彩蛋，比如仙剑的御剑飞行，白夜追凶的老板娘，西虹市首富的台湾老板， 演的大部分不尬能看下去的同时，光是找彩蛋就满满的惊喜，反正我挺满意这部电影，
索尼克2出来，1说什么故事已经忘掉了。这些游戏IP改编电影的结果都跑不脱合家欢，大概因为游戏IP的定位比较低龄吧。
Tails真的好可爱！！！金凯瑞太多贱贱的台词了，软饼干backstage pass 23333
挺好，编剧和导演再磨练磨练，加油！！！女主有灵气，别整容哈，棒
和儿子第二次在电影院看电影。他终于坚持到结束了
可能时长限制了一些内容的细化 但是已经很有诚意了
相当于大话西游的前传，故事线应该是发生在大话西游之前。。编剧基本走得通，算是个完整的故事，可是看完又觉得这个故事和没讲一样，这种逻辑还可以前前转。看完女主印象不错，男主没啥特点。
虽然演技特效导演都不行，但是这个剧本讲了一个不错的因果内核。一切由月光宝盒而起，看到未来的紫霞和老头都因为看到的果而去寻因，却因为寻因才造成了果。
前面很粗制滥造，后面让人共情：相忘江湖不如相濡以沫！！！
有大话的影子，这就足够了！大话第三吧，在一票垃圾续篇之中，这部是最有大话影子的一部
比我预想中的好看些，红色的那只也有点呆呆的笑死了哈哈哈
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