Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
不过最后基本上全军覆没……女一女二都很好看
地铁杀警不交代监控 就这一点就沦为烂片 还有那个反派 坏得简直无聊 我真的都不敢相信这真是今年的漫威片 求你了赶紧脱离索尼吧二十年前的漫威都不是这种空壳壳
放低期待会有意外收获，本来就想应该比活死人军团要强，再烂能烂成啥样？没想到强的不是一点半点，没有什么隐喻和乱七八糟的私货表达和解读，定位清晰，水平线上合格的爽片
导演理解的暗黑风怎么那么肤浅。幸好他兄弟反目了，要不然看半天我都不知道哪个是BOSS。战斗方面的艺术设计是不错的，预期过低，回报尚有。
跑题了，说说主角性格：确实还可以，从傻白甜到发现被骗到傻白甜的转变，确实出乎了我的意料。
竟然观感还可以啊，可能是评分让我原本毫无期待？也可能是这种被诟病的所谓“老套“的超英电影，不玩笑点不搞客串不乱拉宇宙和时间线，单纯把故事线讲清楚的本来就更合我的口味，当然彩蛋还是没忍住拉了一把漫威宇宙，所以要是没有彩蛋我可能还会更喜欢。
5.2(6⃣️)，竟然还能有如此简陋的剧本，从设定到情节铺展就像在玩过家家，随意的反派诞生，随意的大战，可以说是漫威系列最差的一部了吧。除了超声波的视觉效果之外一无是处
一个毫无魅力的角色给个前传就够离谱了，更离谱的是这两小时电影完全没有任何补足、提升角色的成功，反而只看到主角的开挂及一堆没啥存在感的其他角色，《活死人军团》好歹还有少许场面能看，而这片直接可以归在垃圾了，不要看，再说一次，不、要、看。
电影没想象中那么差，特效也还凑合，就是套路老了点。最后的彩蛋是败笔~
又臭又长。但是内核还挺伤的，这样一个悲剧的，天赋异禀的，永失所爱的，朝着自己悲剧命运前进的小人物。一个小问题，马提亚斯是不是全德国最会咋呼的男人
火候太欠了！说是破保险箱为主线没错，可是破解过程水得一塌糊涂，细节也就齿轮随便转一下，连基本的惊险环节都水，作为前传可以说毫无关键，就结局才稍微一提，差劲！
女主就这样死了，然后男主吸光她的血，到底谁写的剧情
打斗场面还是挺好看的。但隔6小时喝回血始终没有解决，有解药了，把哥们儿毒死，自己逃跑，最后超能力变成借助蝙蝠了。也就是说，这个博士第一要吸血，第二要借助蝙蝠帮忙。杀不杀人的都不说了，喝血浆就不是糟蹋纳税人的钱了，不也是在间接杀人吗？这就不提了。要当英雄了。
前半段非常小马风格，但逐渐感觉到他在迎合，再over一点就好了。
感谢现代的电影工业，感谢网飞，把这么平庸的故事拍的还算能看，男主和米奇沃克斯长得也太像了，女主长得也越来越像龙妈了
吸血鬼版的蝙蝠侠，既不刀锋，也不蝙蝠侠，既不德古拉，也不蜘蛛侠。几乎是在复刻毒液和屠杀，没有任何新意和惊喜可言。
文戏没有，武戏恶臭。眼看着漫威主导的蜘蛛侠电影在全球市场赚得盆满钵满，老东家索尼为了分一杯羹已经彻底丧心病狂。《毒液》系列品质差票房高的成功模式进一步坚定了它们奋勇前行的决心，无比期待未来的“蜘蛛侠反派宇宙”能拿出更让人大开眼界的作品。
11.5 反类型切入可是每一个环节都打在俗套上，难得优点可能是不装逼，最起码比上一集好看太多了！
不得不说，短视频上再剪辑的节奏，要比正片舒服多了。
在偷盗类片子里算是上品了，有点神经兮兮的主角有着超乎寻常的技能，而且充满了文艺范，影片中的许多开锁镜头也是拍的精美绝伦，女主角非常美艳，总之是一部很好看的片子
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