“Sophie is good at school and Mum's thrilled. Jessica has her boyfriend and, anyway, she’s Jessica. Me? I dunno. A void. I suck.”
They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way. berlinale 2016
除了关键矛盾处理得硬，整体依然欢乐，歌曲养耳
剧情转折都不能用生硬形容了 但是听歌曲大串烧还是很开心的
让我想起了马达加斯加3，我向来对电影最后的这种音乐舞台秀毫无抵抗力，特别是Could Have Been Me和I Still Haven't Found What I'm Looking For那里我都起鸡皮疙瘩了。爱了。
依然足够欢乐！欢迎Buster Moon 先生早日携团来华交流演出🥸
伊籐莎莉好看森山未來我也get到了，角色跟我同時代，我也跟他們一樣，生活的隙縫時代的潮汐里，無法成為大人。
电影版名声大噪，剧情和选曲一样欢乐。但人物太多分散了高光，新旧角色都没有留下凸出的人物线，就看过就过了，应该不会有第三部了……吧
不行。不care中年失败男人的故事。无聊无趣。
青年废柴被现实击垮的自白我觉得应该还是不难看的，到中年了才如梦初醒这般就有点做作了。不是欸这个道理还需要等到46岁才意识到嘛？是不是有点太自恋了欸？日影一拍不好就是这样子，冗长无趣，快结束了觉得欸好像有点太淡了然后拉出初恋女友露个胸消费一下女性肉体，我：？？？这个片你觉得看着有这个必要吗。
今年的动画五星。the only way to go is up. 想陷进这样粉色的梦里不醒来。
可能30代日本人看了会更有共鸣，作为外国人还是少了些什么。节奏很舒服，结尾的走马灯深有体会。每一次看伊藤沙莉都比上一次更好，真好。
《我们都无法成为大人》，却也不可避免地成为了《世界上最糟糕的人》
优点和《花束般的恋爱》的差不多，缺点也是，像是日本青春文学版本的《薄荷糖》
其实不如第一部，尤其是狼女儿的洗白和卡罗威的作用…但依然是最棒的音乐动画之一……
在圣诞日早上十点来电影院，收获了假日里最大的快乐之一！快乐就够了。
我妈也喜欢！
其实有些画面没有看懂（大部分因为脸盲的缘故）但是就和女主说的那种 “如果都懂的话就不需要看了 而且就因为不懂才会印象深刻”太对了！
A Sky Full of Stars响起来的时候好像回到了17年夏天的现场，一下被戳中
3.我们必须成为大人，拥抱遗憾，珍惜当下。
虽然场景更加大了,
继续追梦，格局难度更大，这次有敢于向专家，向大鳄说“不”的挑战。
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