New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...
2.5
片名改了之后连故事的侧重点都改了 解救人质变成了绑匪窝里斗 最后还是自救的 不是警匪片了
那些人可是罪犯啊！！！你们可是带枪的警察啊！！！打斗跟玩儿一样
黄政民只是作为演员演了一出主角也叫黄政民的戏仅此而已。
从开头就知道质量了，翻拍不成功，还得需要像王千源一样的大恶人形象，完整的故事线
绑架类型的片子，是不是真得不好拍？看过韩国两部这种题材的片，都觉得后半段故事紧张感疲软了。一颗星为黄叔演技。
翻拍了一个寂寞，这波我天朝完胜，吾先生的优点在王千源，人质的缺点在黄政民，不是他不好，而是他演了自己且没有跟他匹配的对手戏演员，韩国版把重点放在众匪，祸起萧墙的阶级感深入骨髓。
一流演员救不回三流剧本的案例。（突然想看河正宇智斗诈骗犯[doge]）
⭕️拉胯的西八国警方 应该是真本色演出了吧……
改的挺好的呀，剧情设定真不错，反派变态，政民教科书般的演技，就是整个框架没展开，警察线再多点…
从哪刨出来的干儿瘦的反派？原来棒子翻牌也有扑的时候。基本上是毫无意义了
劫难后的片场一段实际可以深入的，然而真事改编的再改编大部分时候只能是凭空虚构，从头至尾“黄政民”只存在于这个名字上，老黄似乎并未找到或者压根就不想去思考如何扮演“自己”。
黄政民最差的电影吧！！！！都是导演和编剧的锅
黄政民肉搏，一向都很好看。
开枪打了那个女的之后，回头一枪爆掉开门的男的，再一枪爆掉另一开门的男的，电影完，所以为什么要丢掉枪呢？搞不懂
有新导演首尾难相顾的通病，新世界的梗抖得倒是还可以
3星半，就算绑匪和警察都有工具化和模板化之感，但是仍模板得很成功，毕竟黄叔在我心中魅力还是挺大的，撑得起一部电影
一味地注重渲染血腥场面，警察和反派强行降智。。跟《解救吾先生》一对比过于拉垮。。
这里的《人质》不需要解救，自己都差点逃脱了。。
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