With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
歌舞还是传统百老汇室内剧舞台群舞风格，而剧情更接近校园美剧（小学生，初中生）类别，故事情节有些老套。。。还是老问题。。。剧情和歌舞还是有明显割裂感，而且歌舞比重过低。。。只能称之为故事片吧
这不挺好看的吗 虽然剧情俗了点 但也不至于这么严格吧 一个网大算及格的了
7. wss的梗玩了好多次我真的會笑倒。 有趣老套的追夢故事加上是不是讓你awww一下的溫情橋段。Joshua還是演戲吧，寫歌你還是慢慢來啊。
故事不具备什么新意，有些东西也含糊不清，但简单轻快，欢欢乐乐。
没那么差，不过用色尿屁的桥段挺懒挺低级的。
好无聊，像是几个抖音片段和网络段子拼凑一起的电影，看这电影真不能饿着肚子
谈不上差，但是这种电影也就吃吃饭乐呵乐呵！
好一般…真感受不出来这是迪士尼的片子…就在这样仓促的情况下就尾声了…没有看出什么感动来，就这样随便面试两次就选上了？就唱了一首歌他哥就被他征服了？就这样全家就一下子支持他去开启演艺生涯了？fine…最后想说，老美你能不要黑亚裔了吗？全剧都是好人甚至每个黑人都是好人，就一个十几岁亚裔小姑娘一脸奸诈狡猾从头到尾不做人？Excuse me？
6.5/10.
作为网络电影它是合格的，甚至还有一丝丝优异。喜剧吗！图一乐得了！
没有一顿烧烤解决不了的事情，但还是有10顿烧烤都拯救不了的电影的。
整体一般，虽然有些情节确实搞笑，但是主线还是太弱，架子搭的不够丰满
挺好的呢，完整的一个故事，就是结局有点尴尬，花大价钱费劲搞垮自己爹的店然后第二天立马和老爹重新开业？
制片国家/地区: 中国大陆
很轻松的电影 很迪士尼 中间有少数篇幅插入迪士尼经典歌舞 一个执着好莱坞歌剧的男孩坐上大巴去城市参加面试 通过自己的能力和坚持留了下来 小男孩蛮可爱的！
整体流畅，剧情轻松，人物饱满，美食诱人~~~不错
腾讯上面可以看啊怎么说没上映。这个是真的笑死我了
及格，完整，适合吃饭时候不用思考的热热闹闹的电影，不想用什么正式的标准去评判，是我吃饭的时候盲挑的下饭片😋
已经算是惊喜了 佳佳啊！跟我现在一样胖了！
皱着眉头看完，中规中矩都算是夸奖了吧，我的真实观感的话，只能说这部片子简直是陈词滥调和刻板印象的集大成。
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