Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
看不出苏打有多喜欢永野，也不知道永野什么时候开始喜欢了苏打，也看不出苏打有多喜欢电影。或许是年轻时有点才华，到老了还在用年轻时留下了的剧本参赛获奖。到最后变成了一无是处的糟老头，还在拿过去的感情揶揄自己的好朋友。蛮让人讨厌的一个角色。
有点过时的浪漫，但黑白的老电影片段可是完全不过时
临潼培训中心2号楼313室
祖孙合作创作电影剧本的美好画面真是令人回味啊……
人物缺乏具体动机，罕见直白道出全球电影产业的艰难，松竹百年，关于电影的电影。
没到最后时间，就一直是处于没看懂的状态。两条时间线傻傻的分不清。找不到节点自己…可能比主人公还感到恐慌orZ
时间流逝，多年后我们实现了年轻的梦想。
对了，赌鬼真的是有病，没治。飞蛾扑火性格的人，也没治。那也是人生啊。
虽然并没有什么很特别的设计，但我这枚老影迷最后一刻居然也被打动了
男主年轻像柘植物义务春画里的人，老了像柘植义春本人
好像在情绪烘到极点的颁奖典礼上说几句获奖感言就能把丈夫父亲角色失位的事实一笔勾销一样，这不就是失忆的苏大强吗？
女人给了男人幸福，男人却用自甘堕落回报女人。ps淑子也太可爱了吧！
这不就是19年春天的那个我吗55555
#北影节资料馆观影
看得让人纠结别扭。感谢电影之神还是降临，让故事没有无疾而终，也让我看到了其中最伟大的人物淑子。
天幕新彩云谢幕词：愿电影伴您入梦。【2021.9.21北影节·中秋夜】
临潼培训中心2号楼313室
日本总能把这种电影温情合理化，本来以为是平俗的情节，不过就是根本上和电影元素没有太大关系了
看的时候脑袋里浮现得最多的一个词就是：普通(ふつう)。很俗套的日式鸡汤。笑点泪点都有，但真正破防的是最后片尾打出的さようなら志村けんさん。好像还是我看的第一部与新冠挂上关系的电影吧，不仅给个人，还想给电影行业打一剂鸡血。#BJIFF
虽然水准一般，但是里面因电影相聚，因电影重逢，因电影而关联还是让人挺动情的。
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