"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
“And sometimes, I would go up the mountains, and I get to be a troll.”
之前没看过动画我还想要是有动画片就好了
一如既往的好看，电影联系上第二季结尾，最后解释了为什么trolls一直向往城市的原因，原来是有个神话母亲躺在城市下面，而且她不忍伤害人类，以及母爱等告诉了我们要善良、接纳与我们不同的对方，有点类似于现实社会如何对待不同族裔的启发；而且每个角色的发展都很到位，等第三季出来后我也舍不得和这个系列告别，上一次让我有如此感受的动画片还是steven universe
看哭了，非常温馨感人的动画，想到《地球改变之日》南美富人为了亲近大自然在沼泽建家园，占据着水豚与其他动物的居所，反而对来寻找故居的水豚满是嫌弃的敌意的丑态。
后面节奏有点快呀，不过还是很爱的。
结尾很感动，巨魔身上都长出了叶子开出了花。每个人都渴望母爱，甚至花费一生的时间在“找妈妈”。
我觉得沉睡在小城下的巨魔之母是大自然的隐喻，世间所有巨魔/生物都是她一人的孩子。大自然母亲醒来后发现身上的土地已住满了人类，她不忍心叨扰破坏，于是选择放任人类并就此长眠。
所有的不堪都可以自己改变，坏人可以被感化，好人可以得到回报。
人类可以成为自然界最顶端的生物，但永远不能无节制的支配自然界，永远敬畏自然呐…
前两季就很喜欢了
谢谢这部剧集，一直在治愈我。（做什么都比做人好呜呜呜）
主题就是母爱与自然，很少有把这两者融合得这么好的作品，以动画为载体的hilda无疑是做到了
还是好可爱……😭以及最后我的乖女怎么长大了
一如既往的画风和设定 在这样丰富的背景之下 故事内核显得有些儿戏 仓促的结局减分不少 等待第三季
巨魔之母为了人类安全和自己孩子越来越远。
一定要看前两季！！！
Cow怪不得，感觉没头没尾的，原来是聚集的剧场版。
一开始惊艳我的是各种奇思妙想却融合在一起，现在却又落入了套路，围绕着一个中心解决问题，最后升华一下，难道最终归宿都是耗竭了才智，唉，不能抱着太大期望来看动画
关于爱和平成长的故事。希尔达最好的一点是动画里没有真正的坏人，主角三人团里的辅助角色也有自己的成长空间，不是单纯作为绿叶存在。
昨天看了一半就睡了，导致梦到自己变成了石头人
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