Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
实在是不行 镜头好平，人物没有什么特点。整体节奏就很拖。金相庆也救不了这片子。
之前还看到说加湿器要用纯净水 干脆别用加湿器了
其实就是讲2011年发生的加湿器杀菌剂事件，还不如抗疫好看
能拍出来，能上映，能给大家看到 已经很好了
作为电影拍得不太满意，但是这个题材又无法忍心打低分。会想到很多国内事件，说多了就要被屏蔽了，不说了。
不好看，代餐失败。
立意蛮好 故事节奏有点慢 但整体还是可看的 演员演技也都还可以
韩国拍的事实片总是这么尖利，但却能直击人心的恶
即便这个片子质量真的不值一提，但人家就是能拍敢拍，就这一层面来看，“值得”两个字都说累了。
有几点槽要吐。1医生的孩子生病了竟然不急忙送医院检查吗。2美国人果然高贵3宇植自己家也用吗自己应该知道有毒吧。4医生怎么不立马给自己做个检查。5资本真可怕啊明知道害人也要去做。6有很多国际禁止的添加剂在我国食品饮料里还在继续使用。
想说的想拍的，都能真么直白的放上银幕，这是何等的幸事
卧底隐忍复仇的剧情太过老套，但是影片的立意很棒！
本来想打四分，但是转念一想，怎么也比猫电影版好
电影拍的中规中矩，并不出彩，但这社会问题能拍出来就是言论自由的一种体现.......
当权利与资本勾结为奸时，难道我们只能在绝望中等待遥不可及的运气？！
但现实有可能是那些造成这些后果的人甚至不会受到惩罚，他们有各种各样的手段，各种开脱的理由。
观看的资源最后一段字幕没翻译，导致不清楚最后这事是什么结局。看片名以为是个惊悚悬疑故事，没想到是韩国影片里常见的批判政府和大企业议题的电影。拍得也很套路，除了最后听证会上各个国家行政机构的甩锅有点意思外，其他也没太多新意。既然连自己身边有亲人因此去世的受害者家属都能被利益左右，你难道指望黑心资本家自己良心发现自己承认错误，承担这巨额的损失？剧情可笑就在于利益集团拼命公关洗白，却找了个同样家里有人因该使用产品导致生病离世的律师来负责处理这些事，这编剧强行给反派降智也是没谁了。这也导致本片虽然在揭示韩国社会阴暗面，却总觉得很不真实。还不如现实中网络维权来得有效。
2022-5-22 00:18:22 黑水。托夜班都比你好看
电影值三星，多一星给题材。虽然说结局是相对好的，但是看完电影反而对韩国社会更加失去信心，如果副手的妻子没有受到杀菌剂影响，结局会不会改写？
七分应该有的，真实事件改编题材好，剧本和演员差点。结局挺震撼的，揭露黑心企业的同时也讽刺了政府人员的黑心交易。直面现实的勇气是韩国电影的可贵之处。
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