With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
老套的爱情片，望开头知结尾。但是某些细节的刻画很有意思，如男主之前的交友app照片，倒是很有些不一样的意味。PS.原来是个超新的片，网飞这么早就开始出圣诞电影了吗
dunno why me even watch this. this shit gonna ruin ppl's christmas
就是Jimmy这个发型 令我难以接受 典型的圣诞节快餐电影 但是好真实 像剧中Josh这么善良体贴幽默的男人一般都不太好看
还不如欧阳万成自己的stand-up comedy呢。奶飞这提前量也太多了吧，牛姐的歌都还没霸榜呢，怎么现在就开始放holiday season的片子了。
是温馨美好的爱情剧，为了反转而反转，只能说剧情老套，女主演技一般，男主还是去说脱口秀吧。
Asian male lead who’s not hot is just what we need
还挺不错的，难得奈飞推荐一部好电影，结尾有点生硬，这是唯一的遗憾，其他都挺温馨挺好笑的，在同类电影中表现还可以
奈塔丽对猕猴桃过敏的时候，在酒吧唱歌那段真的笑死，表现狂魔表哥欧文也超级搞笑😅😅😅
现代网恋的故事！万成的脱口秀不错。圣诞将至 应景现实 ！
最后模仿love actually那里还是俗气地被感动到了…是一个细想很丧的故事：如果josh不伪造profile，natalie根本就不会滑他，他和natalie根本就不会有开始的机会，哪怕他们灵魂一万分的契合。有点担心欧阳万成的精神状态…有点理解他移民美国后经历了什么了。但即使作为边缘亚裔男性，他依然可以在his rock bottom选择blame women…女主结尾独自站出来澄清真相和道歉确实看得不舒服
3.5啦 虽然是cliche，却也轻轻松松的圣诞romcom
Jimmy O. Yang身價在上漲～～～
真的是电影，太狗血了。但中年妇女居然有点吃这套…
平安夜看圣诞电影，正合适。好可爱好暖心，圣诞正合适的一点点drama和cliche都恰到好处
单纯为了jimmy，最多加个nina，故事太扯了
这个hard真的不是hard to watch的意思？
运动美男有他特别的讨喜，单纯得和他喜欢的Thoreau一样。比了这种Life in the woods的透明感，丑男的解语、解意、幽默感也有重量，不过是沉淀渣滓。说男人要懂文学，就仿佛赞美一个速冻鸡胸肉丸子，说它看起来有水头有油性。真可爱的男人决不用功要做成才子，他只需人性化地热爱运动、海滩、声浪、增肌和性感。
很俗套的故事，但因为男主是Jimmy, 可以看！
such a cliche，达咩Netflix的电影
虽然女神老了，但是很温暖很搞笑的片子啊，结局虽然有点copy的嫌疑，不知道有没有给人家植入费用，但是很美好啊(✪▽✪)
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