Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
纯爱战神帅啊2333mappa打戏做得真不错。就是说悟和杰真是意难平T_T漫画好像没有两个人的回忆来着，电影居然把那个街道分别的镜头插入了（爆哭
2022.05.13，比起TV更喜欢剧场版的主题表达。但作为剧场版没有怎么发挥出电影载体的优势，反而像看了一集超长的OVA。普普通通看了不亏吧。
PS：真希A爆了！七海好帅！瓦落瓦落一气呵成！感觉剧场版五条悟丑了，一年大家能变化这么大的吗⊙_⊙
剧情无聊节奏乱
没想到纯爱战神是literally的纯爱，养一个特级咒灵真的很拉风
好无聊啊太仓促了，人物成长不够，和夏油杰单挑也不太够，你说燃吧还缺火候，不燃吧经费投入还不少，以为五条悟能用赫，苍这类术式，结果也就里面打打酱油，以为里香是长保质期的结果是一次性的，以为乙骨是一直高冷人设结果也是虎杖版，还有，马趴！夏油画的也太丑了吧我真的会谢
制作比鬼灭的剧场版良心很多吧。虽然喜欢夏油，但乙骨抡夏油那下还是有被帅到。脑花真是进了个好身体。
MAPPA在战斗方面的发挥还是一如既往的稳定，对于剧场版还是用了心的。将短短的一个番外改成一部电影十分的不容易，影片节奏十分不错，娜娜明和京都校友也都出场露了脸，。
草，刚想说乙骨有一股浓浓的真嗣味儿，结果就看到短评铺天盖地的纯爱战神淀真嗣xd 耍帅大合集吧只能说…
忍不住看了枪版 观影感极差 等你上映我去补票
忧太其实可以开个初号机出来一巴掌拍扁反派hhhhhh 教育大家千万不要早早私定终身，还是要多经历经历人海沉浮，初恋怨念太大不好的
看完突然觉得0的漫画剧情不适合改编成电影，电影展现的情节太细碎，带来的影响就是每一段战斗场面表现效果都不如几年前的fate stay night电影。 当然，画面基本达到了院线动画的最高级。
一些点点点😅原作因为有留白，不至于太过尴尬，做成电影就各种意义很瞎了（都是什么烂台词，看得到一些影响的影子但总觉学得有些皮毛
二年组最高！乙骨的这是纯爱和五条的我唯一的亲友太戳泪点了！纯爱组两次记录出现都太帅了！
忧太其实可以开个初号机出来一巴掌拍扁反派hhhhhh 教育大家千万不要早早私定终身，还是要多经历经历人海沉浮，初恋怨念太大不好的
Come back. Come back to me.｜21.12.24 なんばTOHO
纯爱战神就是yyds呀！
呜呜呜夏五也太好哭了TT，娜娜明和5t5好帅！
12月看完的，手机坏了一直没评论，纯爱就是指利用里香去战斗好的懂了，夏油说的也没错。战斗戏绝了，音乐也好听，但是明明不是那么喜欢里香还说是纯爱的emmmm被感动的人，你们觉得是纯爱就是吧
与打戏相反的是，
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