The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
故事还是不错的.另一个自我存在的恐惧与困惑表现的挺好的.但设定上一个问题，都能创造完美复制体，为啥癫痫治不了.这个技能树总感觉长得不对.
对应TV剧集11～14集，善逸跟伊之助登场。
看着所有人都在成长或者老去，想想当时的时代背景。看到最后才猛然想起电影的标题。啊，没错呢。It is indeed a new era.
不要忘了你是谁，从哪里来，也不要被此所束缚
想象不出來萬壹有個萬壹，他們以後知道了會多內疚……沒有送他最後壹程💔
以后再也不买最后一排的位置了...我这该死的眼睛...
Tv版本11-14
Always have always will
最最喜欢的动漫有东京食尸鬼1-4，鬼灭之刃第二季游郭篇，当然还少不了进击的巨人1-4第四季。以及瑞克和莫蒂第五季，大家一起出发
里面提到了由默片向有声电影的过渡期，展现出了做默片的电影人的窘境，让人想到了那个法国电影《艺术家》（仅为个人切入角度）。
就说为什么托马斯怎么一声不响的就要走了，看时长删了4分钟，果然是删了吧
同样是克隆人，比李安那个双子什么的强多了。除了探讨的话题角度好之外，片子的审美也是一流的，赏心悦目又好哭。
搞点新的，别再浪费钱了，看完电视剧，这其实意义不大！
在唐顿的世界里，看人间真情，看戏本上演落幕，然后再展开新的篇章。
TV版11—14集。主角三人小队初聚，合力破除困境。我妻善逸与嘴平伊之助的性格特点鲜明，但也无法避免单一化的趋势。尤其是我妻善逸，过度刻画胆小有些用力过度，让人感到烦躁。
EP.11-14 《鼓屋敷篇》
Tv11-14合集，三个好朋友相遇，善逸沉睡打出伤害max，炭治郎打败了下玄鬼。
从故事类型到叙事风格，整体与亚历克斯·加兰非常相似。｜7.0
"Stop the noise--I can't hear myself die."
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