这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
是个在一月份电影大灾难时不错看的传记片。故事线流畅，看完又懂了点橄榄球。
励志典范，哪怕看不懂橄榄球，依然为影片传达出的力量感到激情澎湃。
好喜欢金钟瑞的演戏方式。燃烧的时候就感觉真的洒脱又自然，在这种偏小妞电影里也是很吊打，台词表达的特别舒服，不然很容易变成说教。奔着具先生的气质来的，但真的有点被女主压风头了。
反正每次看到这种故事都会让人热血沸腾。人生最幸福的事。被信任。坚持努力。有爱人并被爱着。
演员不错 虽然故事俗套了点 但完成度还算可以 轻松愉快又荒诞 男女主之间营造的氛围感意外的感觉好搭 台词也蛮有意思的 一些细节处理也还可以 可惜结局仓促了点😂
无趣 感觉导演想加入一些性元素 但是又碍于分寸的把握 不敢真的大尺度 连台词上的拿捏都不够精准 就像白开水一样没有值得回味的地方。全钟瑞在call里那么惊艳的表现 到了这部戏像换了一个人 不过身材是真的好 孙锡久怎么做到有时勾引人 有时恶心人的表情呢 眼神里的欲望稍微多一些就显得sp上身
还蛮喜欢这种质朴美国人傻傻的坚持的精神。life is not about how much we achieve, but how we become. we won't take off when things get hard。destiny - it goes to underdog.
有性与爱的当代年轻人恋爱现状，前半段很符合现实，后边又落入了俗套，俩人一起玩什么的还不如多拍几段18禁
感觉故事有点儿太平了。。。最燃的地方不够燃。。。但是很真诚，很能感受到这种坚持改变命运的伟大。
韩国人，恋爱缺席？谁信啊！剧情很套路，先性后爱理念上当然可以，但实践起来必然没这么顺利，第一次约就碰到真爱这个概率为零吧。女主角这样的怎么可能没有竞争力！
确实很套路，有些梗蛮好笑。以及，孙锡久是位好演员，难以言说的吸引力。
3.5 我可以跟着你吗🥹 （“我想你”的韩语好好听 好喜欢 pukuxiposo
莎士比亚也说过，爱情是一种精神病。相遇的缘分啊，无论经历什么困难，终究还是会相遇的。相遇的缘分终究会遇见吗？有想再遇见的人是吗？
电影的叙述节奏不夸张很平和，没有太多激烈的运动镜头，反而是一系列的挫折，其中爱情这个故事线真的很棒，没有了布兰达的胜利不是胜利，不能跟相爱的人分享胜利也没有了意义，面对挫折两人都想过放弃自己的梦想，但两人相互的鼓励和支持让他们一次一次挺了过来，特别喜欢Kurt对Zark的关爱，Zark也在关键的时候鼓励了Kurt，喜欢这种有爱的真实的故事。
还挺灵的 观感愉悦 讨喜不媚俗～作为sex专栏/电影 哪有只写/拍进酒店 然后就出酒店的！
normal person in the normal life..
约炮约出真感情，几次喝酒和抢礼金本都很有意思
不喜欢励志故事——
我觉得该片其实在讨论一种新的恋爱形式，先有性后有爱，是不是爱情。当然传统的观念里，爱情必须是先有爱再有性，可是随着时代的更迭，快速发展的交际关系，难道人和人必须要压抑性的欲望，就等待一个爱情的机会吗？
虽然电影略显俗套，认真看了居然没被调戏到，但是全钟瑞小姐姐在这里的戏路又拓宽了，继续期待下一部！
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