Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
应该叫魔女1X2，者战斗力一个比一个爆表的，我就看第三部怎么填
除了打打杀杀，脑海没啥了。电影的人物开挂要适度，还要有目前“人”的特点，这个一直是我认为的，在目前科技之上，但是别离谱夸张，那干脆以后都是玄幻得了，就像钢铁侠其实第一部才最带感，后面慢慢那种机械科技感不在了。还有一个光是打打杀杀，这个毕竟是辅助的，打篮球要全是暴扣，那还有什么意思，故事铺垫叙事才是重点，最后打斗场面才显得爽。最后是故事不合理，魔女1女主那种家庭感情却又智商无敌百变形象才叫魔女，这一集就是女主看着像个呆子。反正没有延续上一部确实挺失望的。
1. 人菜瘾大的装b小分队那几段尬翻的蹩脚中文大可不必，非要说的话能不能找个配音？
引入了更多人物，但大部分时间都很无聊。看了一大半，才知道和第一部的关系，差点以为换人演了。女主气场有点太弱了，但是看着看着，和剧情挺配的，毕竟不是一开始就布下大局的第一部女主。最后超能力少年对打才能看一点，不过是经费不足吗，安排在黑灯瞎火的时候，啥也看不清。拜托别加什么普通人坏人的剧情了，普通人耍横了一个小时，对比主角们意念打架简直笑话。还有那些说中国话的“上海”少年，多练练行吗？听着太尴尬了
血浆爽片，总体观感还算可以，但是剧情和第一部相差不大，一样的追杀，一样的复仇，没什么新意。
主角那个样子，为了后面的打戏而生吗？除了战斗力高一点，哪会可了，后面被直接晕倒带走，如果说一代入了这种世界格局，那么二就没有任何发展性剧情推动也没有太大。打戏很精彩，没了。还有真不行，你找配音呀，别再念中文了，太别脚了，我都抠出三室一厅了。
靠念力装逼还是老美玩得6
不是，导演你自己看看第一部，弄出这玩意儿像话吗？真想看灭霸打架，我不去复习妇联？挑战人体极限拳拳到肉的动作戏才是这系列的卖点吧，合着换个身份高贵的208w女主就干脆改成站桩瞪眼珠子了？还有都2022年了，几句中文还特么能说的跟泰语似得，我看以后谁还吹韩娱有良心。哦对，最能看那段广告牌大战，确定不是抄《杀破狼》里甄子丹和吴京的对打吗？分镜和动作一比一复刻呢？建议港影快来维权。
感觉自己看了一部韩国版《超人：钢铁之躯》，这小女孩特么开挂的
动作戏场面较第一部更弘大，
打戏无爽感 剧情量少 感觉还不够电视剧的一集 几乎所有人设都麻麻 喜欢佣兵队
剧情真的拉胯，金玉在前，第一部金多美演得太好了，那种巨大的反差感，让人觉得很带感，而且金多美饰演的具子允这个角色，虽然是魔女，但却让人感觉有血有肉，有灵有情，可是这个女主真的感觉演的没什么灵魂与感情，让人完全喜欢不起来。
姐姐不但战力高，而且智谋绝了（第一部）；妹妹只有战力，别的啥也没有，但这战力高到幻视凤凰女的程度，也太特么变态了（第二部）；第三部是不是就是姐姐的智谋+妹妹的战力，手牵手打她俩的妈？！美女小队长和逗比手下明显是装死等对方走了才爬起来，很难想象这俩货凭啥明知道那姐妹俩是个什么货竟然还嚷嚷着要去追（彩蛋）？
上海基因改造人一言不合大打出手，美国继续充当需要治治病的国际警察，韩国基因改造人终究是大boss。我真的是栓Q了，别特么说啥不要带入啥啥啥，我是真的看不惯。
算得上过瘾，但是你这升级的有点快啊。我建议第三部可以叫
这么看的话第三部也在路上了，只是这个剧情就没有第一部那么有意思了。
普通人类＜1代（女队长）＜2代（土味汉语一伙）＜3代（女主和姐姐）。
就是中文部分这说的。。。让我一个中国人感觉尴尬万分，求求你们练好了在上好吗？
铺垫长，中文戏超尬，打戏精彩，不，这不能叫打戏叫意念戏，一个眼神就让人拜拜。特效是很炫，音效差了点，结尾又留彩蛋，不知道第3部要等多久，希望搞快点。
动作基本靠特效，然而大多是夜景，白天的戏份也多雾气，场面看似大了，可少了拳拳到肉的对抗和博弈感。延续的优点是杀人方式，主角能力的外化形式发挥极致，死成一片也各有各的死法，总归是爽到了的。
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