A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
虽然情节老套，但是这样的题材还是太少了，请多拍。最后，还是缺贝斯，怨念。
笑点和燃点都在最后的battle of band上
司法部长的女儿克莉丝汀被狙击手击毙，这样的改编有意义吗？有根据吗？
两分钟后添加:阿德里安是我喜欢的可爱男孩儿
totally badass！Skull Flower 哈哈哈哈哈
电影讨论了一个严肃的政治命题，而且还是根据真实事件改编的，但我觉得这电影不行。明明是激烈的种族冲突，却要拍成一群圣人之间互相克制的交锋？何必呢…
以为是个剧，没想到是是电影。但是看起来也的确像剧…情节平庸/狗血，但因为是金属，所以不会烦。
这种风格电影就很难受，首先完全没有共鸣，其次观感太差，全是杀马特非主流辣眼睛，然后说内容吧主角有点反社会人格自己没啥本事莫名其妙谁都看不上，几个主要人物都是恶心的发型，不好看的脸，粗鄙的语言，目中无人的眼光，沙雕的乐队名操骷髅？不感兴趣的主题死亡重金属，实在提不起劲
非常轻松的解压片啊，虽然是重金属，情节并不燃，配乐燃而已，看着蛮开心的
凯文真是个温柔的小天使，敲鼓时头发乱舞时好帅啊，最后的乐队大战曲目简直燃爆
就经验来说，新组合没排练过上场就是这种效果，是不太可能的。
抛去那些大家都看得出来的老套的设定和剧情，这样的片子总是让我怀念起高中的时光，他妈的还是读书好啊
情节一般，不过音乐很燃。最喜欢那个当了医生的前乐队吉他手，扫地僧一般的存在。对于青少年的友情，爱情，诱惑都用metal给出了答案。还算不错
不着调的校园青春喜剧置入一个重金属音乐主题，哪里都不太妙却足够让人喜欢，热爱他们所热爱的，还要求什么呢
中二摇滚少年的热血青春（我艹超酷的好吗！）
还是重金属音乐好听，没事刺激刺激还可以，年龄大了不能老刺激🎶
What's the price of freedom? Everything!
这些影片话题敏感，估计我们都不能上映。
先解释这个bug-这两个老黑有无数个被爆头的机会，为啥不开枪！这几个老黑一个人都没有杀人质，就是说明他们不敢开枪！！！无论这部
在想，
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