UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
质感感人。这种片扯故事讲内含谈所指那就陷入了导演中产阶级意淫的空虚之夹了。
放荡不羁之人为了荣誉接受母亲所安排的“挑战”，在欢呼声中斩下绿衣骑士的头颅，为人传颂，却根本不配成为骑士，他吝啬，他贪婪，他胆怯，他无视友谊，他禁不住诱惑，根本不是传奇中所描述的那般英武，直到将死之际，他看到虚伪的王位带来的毁灭与终究逃不脱的命运，他终于坦荡，昂起头颅，接受死亡，算是得以成长
还不错，有点以前《101斑点狗》的节奏，喜剧，后面也是遇到坏人要捉狗。结构虽然老，但是挺可爱的，带小孩看的童话电影，挺好的。
男人之间的勇敢者游戏。虽然保持了 Lowery 鬼魅游离慢悠悠的风格，但这个高文爵士塑造的真是一言难尽，后半段 Joel 出现时才开始进入正常状态。
和狗狗说再见那里让我想起了很多次无力痛苦的分别，结尾漫画很温馨很幸福。。。
不知道是不是算传记，比较沉闷，前半部的黑白真实的展开一部葬礼的曲折。后半部的彩色仿佛是在演示逝者的这部作品，但依然是在探讨死亡的有无意义。
一部散文诗般的电影，完全被影像氛围所感染。
好家伙！我直呼我直呼，没想到这年头还会有这年头的电影，我寻思这应该是我寻思，不愧是最不愧是的A24，这符号属于是属于是了，这摄影这配乐这调度属实是属实了！果然大卫洛维就是果然！真是看君一长镜头，如看一长镜头！记得上一次看到这么热衷于拗造型的电影还是《扎导版正义联盟》。希望下一次看到这么这么的电影还是不要逼自己看完了。
#EFM22 美丽的悲伤 电影人的浪漫 Paolo Taviani 你好牛啊
神叨叨的………就是觉得这种结构和叙事蛮神奇的，他为啥一直带着那条绿腰带
作为A24铁粉来说说，风格仍然过硬，节奏差强人意，美术无可挑剔，台词不伦不类
特别拧巴的一部电影。Lowery为了让当代观众理解角色，把Sir Gawain the virtuous的journey of chivalry改编成coming of age故事。改编很难说成功。一面极力撇清传统saga和coming of age叙事不惜穿插荒诞讽刺，一面不得不忠于原著情节用神秘主义风格把saga情节糊弄过去。最终coming of age变成了一条直到最后一幕通过颅内simulation才能完成的陡峭曲线，路上的道德挑战在乳臭未干的小骑士身上也失去了在原著里与virtuous knight的张力。slow pan再好看也救不回来。
观看过程中在3星与4星之间不断摇摆。风格仍然是很A24，为了凸显风格而装神弄鬼，摄影炫技到有点让人眼花缭乱到华而不实。故事倒没有那么让人印象深刻，就是一个有点黑暗童话版的老母亲设局让纨绔公子哥成长为骑士的故事。但是导演确实有能力把这个故事拍的比较吸引人，巨人等几个段落甚至有了史诗气势，真正做到了把小成本片子拍出了大片感。PS，Dev Patel是怎么变得那么hot的，和Joel Edgerton那一亲真的是撩动心弦。
不会有荣归故里的荣耀
7分。预告片做得真好，期待了大半年。一个普通人终于成为骑士的故事。也不是说正片差，但并没有满足期待。显著的A24风格，画面色彩以及光影都很棒，服装也漂亮，选择的插曲不错。前面圆桌的对称镜头和小标题的字体有点韦斯·安德森的感觉。剧情稍弱，还好有最后的反转给观众一点点欣喜。故事里有许多神秘的桥段，有的让人不太理解导演用意，但却莫名有些吸引人。整体还是比较喜欢的，想给8分，不过想想不如《鬼魅浮生》那般诱人，就只能给7分了。
以命抵命树传说，墓场善举转枯骨，玉女池塘寻头颅，巨人迁徙不代步，银版摄影交换礼，谎言腰带走马灯；废材骑士解构重塑古典浪漫骑士精神：功利尊严荣誉生死皆虚无，绿色终将带走一切，人之承诺即便毫无意义，却是自我可以选择的唯一真实；好看
04.08.2021 | @ Regal Majestic | 读完书后二刷。后劲太大了。电影对故事的改编真妙，Morgan Le Fay角色的改写说得通，故事改得真圆。对结尾的双重诠释十分A24。依旧，太爱Winifred的故事了，这很Witcher。 30.07.2021 | @ Regal Majestic | w. Noelle | 和亚瑟王故事迷的同事小姐妹一起看的第一部电影。这部片里的符号和隐喻太多了：可以随手丢弃的爱情、无法放开的亲情、投我以桃报之以李、因果报应。A24大概也要把作品串连成一个宇宙，Midsommar式的壁画承前，路上的羊群启后（映前看Lamb的预告片也是怪异得惊艳！）。如果《被掩埋的巨人》要拍成电影，应该也差不多会是这个样子吧。（谁来拍啊求求了！）
挺好看，但是总觉得情感上还是缺点什么，不够饱满
我们云南人吃了毒蘑菇见小人人，男主吃了毒蘑菇见巨人😂。前中期剧情有点无聊，结尾那一段寓意很棒。经不住诱惑、不听劝告、没有勇气还喜欢一意孤行的人即使当了皇帝也终将成为一代暴君。
悲欣交集（撒骨灰这么俗 也能流下两滴猫眼泪
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