Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情6分，有点老套，人物刻画不鲜明、不真实，但是动画效果和细节9分。带四岁半女儿去看的，她有点害怕
一般般，没啥劲，中年大叔的脸是咋回事一直肿着太奇怪了。
刚看过雄狮少年，接着看的，可爱有余，逻辑牵强
故事开场少年孑然一身，
平时挺喜欢动漫的然后就搜索看看没想到挺不错的哈哈哈
可爱的小朋友作为男主角讲故事。希望以后多一些中国故事的国产动画。
这是当之无愧的虎年贺岁片，给国产动画点赞👍
见惯了夜色深沉，
没有各种动画大IP的商业运作，没有迪士尼皮克斯那样的大制作，简单的亲情、武侠、仁义忠孝礼……就已经是如今动画电影市场的一股清流。
依旧是一部小人物成长为英雄的国漫，中规中矩。
【3】居然能比1还难看我是没想到的。整部片下来就是一个大写的聒噪和凌乱，动作场面的调度和剪辑还有各种艾迪和毒液的互动桥段全部都乱成一团浆糊，剧本也像是三岁小孩写的一样…全程就靠伍迪哈里森和娜奥米哈里斯演的俩反派的气场和压迫感撑着，其他方面全都是灾难。
国风动漫崛起！！
在大家都期待超级英雄的降临时，是一个又一个普通人把自己的所能拼凑起来，然后才有了划破黑夜的光亮
都2022年了，还弄俩口齿不清，说话女生的角色来搞笑真的恶心到了。到最后才知道名字都女性化（叫什么鲁妹）。就像贾玲春晚小品说的，嘲笑人家吐字不清。关键也不搞笑啊，我不看字幕都听不清说的啥，孩子们能听清…
没有啥看点，该感人的没有很感人，反派也很快解决了。节奏比较慢，没有什么缓急轻重之分的感觉（？）只记得了《咻咻咻》和《拖后腿》
老套的剧情，画风似曾相识。剧情真的是太老了，看了开头就能知道结尾的那种。好莱坞的流水线剧本，作为纯国产的一部动画电影，展示了国内突飞猛进的电影技术。值三颗星。
徒步在山城长街，
过年带小朋友去看的，小朋友没有特别理解，勉强及格吧
对影片中展现的情亲，我真的一点都抗拒不了 ，哭的快喘不过气。有笑有泪的， 很适合独处一室的时候看。
毕竟小朋友不会跑来豆瓣点评
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