In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
imdb comment
114分钟18秒 23.976fps 蓝光 其实这是一部指控好莱坞为了赚钱猛拍续集的续集电影
最可笑的其实是我，竟然把这么烂的电影看完了，也够弱智的。
算很成功、很有可看性的重启。小时候曾看过第十放映室对该片的分析，电话成为了入侵一个密闭空间的最锋利武器。从成片来看，既有对情怀的重现（消费），也有与当下的有机结合。看的时候就在想，这bf就算不死，就冲这软弱的劲也特么必须蹬了。
看在IP的份上加一⭐求别再拍了...
没看过前几部的话很多点确实有些get不到，但是致敬自黑的成分太多有些跳戏到隔壁惊声尖笑剧组了。
杜威是去送人头的吧，打中之后就应该直接补枪爆头啊，还去拉人。。。
老醋胜新酒，补枪不含糊。酱油警哥终幕扑街，编剧黔驴影迷背锅。
你说制片方，一届一届换了多少演员剧本啦，改过不啦，换汤不换药啊。人家鬼脸面具也有理由说的，我拍的什么片啊，我拍的恐怖片啊，你们这批什么小丑啊，你叫我拍。再下去要成喜剧片了，噫，先拍成家庭伦理片，再拍成喜剧片，再往下拍不出来了
比起某些狗尾续貂的续作优秀许多，至少它没有摆着架子装作好汉仍有当年勇，于是就不断自我解构、自我嘲讽，很适合熬夜时观看
对恐怖电影的撩拨和结构不应该是这个电影的亮点，因为这本来就是这个系列的应有属性。虽然说韦斯的前几部都是以悬疑惊悚为核心来寻找凶手的路子，但是他都会在文本里面去放置一个要门关乎电影创作，要么关乎当下的一种表达。而这次居然直接来了个脑残粉来当凶手，这就一点逻辑都没有，如果她们是因为不满stab越拍越烂，那电影至少要展现stab怎么个烂法，使得她们要去颠覆。或者说她们指代的是惊声尖叫的前几部，但事实上韦斯的前几部都拍得还可圈可点，最后毫无道理的说要重塑叙事结果依旧吃瘪。而医院杜威对战安珀被虐死也是很离谱，力量和心态上的就不可能导致这种结果。唯一有趣的一个套娃关系是，粉丝拍的续集讲了粉丝想重塑IP，结果没有好结果，戏里戏外都一样
有时候有一点打破第四堵墙的感觉。虽然不是特别高超，但好歹落一个亲切。
结局都能猜到，果然片子看多了能做编剧。主要是音效吓人。
在两星到三星之间疯狂游走。不是惊叫系列的老粉可以不用看了，一票演员的演技都很生涩，故事的反转也有点牵强。
结尾部分的动作场面有点啰嗦，看得人昏昏入睡。
还有凶手的战斗力能轻松干掉运动达人和警察，却屡屡在女主姐妹手下受挫，而且正常露面时没有任何受伤的痕迹，编剧是赶工交货的吧。
近几年旧作重启比较好的续集之一了，groupies真的很烦
评分这么低不至于吧。有点破次元得感觉，把前作角色都致敬了一遍。对于各种恐怖片定律和flag的吐槽反讽也很有趣。血腥成都也不低。就是前作看了忘了，知识面欠缺导致有点跟不上。想重新看一下前四部了。
这个怎么能只有5.8呢？最起码可以有6.5分。
面具尖刀男不会来找我吧？！
目前IMDb评分7.0/41K票，字幕已完成，转战下一个
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