With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
谎言不能救人。西岛叔演技真好。奈奈酱(*¯︶¯*)
这个细节还是做电视剧更对味啊。但泪点还是熟悉的泪点，作为怀旧（？）作品还算说得过去。
案子离谱又气人，村民们为了所谓的保护孩子未来，把善良的人迫害到家破人亡，还毫无悔改之心，犯罪者侥幸逃脱制裁，留下鳄鱼的眼泪。剧情真的很弱，全员归位唤起了一点点情怀。
案件一般吧，为了看可爱小律师
3.5吧比起期待确实差了点感觉…案子有点弱…某关键角色的演技也还需要磨炼…而且太明显是为了捧人塞的和周围不搭…西岛叔有一段把我看哭了演得真好！！小花演得很元气可爱我永远喜欢オヤジギャグ！
整体来说是可以的，确实在用心编剧情。谐音梗冷笑话环节实在是太能戳中我了哈哈哈。还有看完后越来越喜欢杉咲花了！！好可爱啊，三任女主中存在感最强的一个！
还有，用大银幕欣赏松本润睫毛会很爽吧(很难不被吸引
剧情还是不错的，但是道枝演技最拉跨，还让他担当那么重要的角色
我和男主在那里呼喊三遍“太吵了”的心情一样，真的真的真的真的真的太吵了……ps .松本润的大眼睫毛真的太出戏。
太太太太太好看了啊啊啊啊啊啊啊啊啊很少有这种主角配角+剧情我都喜欢到不行的剧。整个剧情笑点泪点都刚刚好。真相揭晓的时候我起了一身鸡皮疙瘩。我奈太太太太太可爱了啊啊啊啊啊啊啊啊啊出场的时候我真的很难才忍住没有尖叫，就算是那个丑刘海笑起来还是可爱到爆炸，跟佐田33笑的那一下让我想大叫卡哇伊！！（拜托拜托快点上剧！）小花和松润也好可爱！所有演员都好可爱！！小花的笑声真的好魔性啊哈哈哈哈哈。深山33说ビシ那段笑死哈哈哈哈哈说天空在下雨那里想感叹一句马子俊真是睫毛精。西岛叔笑着哭那段也好绝！结尾说15年后找到了真相那里find the answer切入得刚刚好[泪]好希望能继续拍下去啊（可是如果主题曲不是阿拉希我又会难过。。。
看之前就听说道枝骏佑演得很差，做好了心理准备看到最后还是被惊到。再磨练磨练吧……
吓死了这年头还能在影视剧结尾听到拉希的tie（
金田五这个演技太辣眼睛了，这就是个普通的sp，不适合大荧幕
看了6分钟，会看完，但是制作组是不是傻逼？
同为刑辩律师，我们几乎不做模拟实验，没有这个环境，也没有这个条件。律所可不会给你报销模拟的费用（所长我们叫主任)……刑事辩护任重道远，有罪率99.9%毫不为过，不过目前有个聚众冲击国家机关罪的案子可能争取到不起诉（变相无罪）！
Movie果然还是会弱点啊 🥺但是卡司都太喜欢了 还是给四星好了 虽然不懂包庇四岁的小孩是为啥要迫害大人 有点意义不明 不过我还是蛮爱看沉冤得雪的案子
整整两季+特别版之后已经可以做到不走流程就直接开始笑了，剧情毫不意外有bug但是整体还算流畅，律师破案果然还是不太容易撑得住两小时的体量。可惜的是奈奈和文乃的客串分量实在太少，不够看啊不够看！佐藤律师塑造得越来越全面了，香川叔99.9系列不能没有你！
这剧情也能拍成一部电影我是没想到，人物比剧里的表现要浮夸多了，润润的妆更是肉眼可见般不自然。看了眼我中学时买的深山熊，真是欲哭无泪.....
比剪的乱七八糟的SP好太多，群戏也算合格。西岛不是boss真浪费，顺便证明了只是滨口会调教大根。虽然大热剧出剧场版无可厚非，但这种毫无电影感和sp制作上完全没区别在哪儿看都一样的片子霸占票房榜你日真人映画还有救吗……找答案响起的时候还是感动了，想你们了……
看到奈奈出来好亲切，我最喜欢她。
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