Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
我能说我爱死亚当斯一家了吗 他们演屎都是香的 就因为他们是Addams！Bravo！
【210920】5.5-不及预期。剧本应该是本片最薄弱的一环，中段的氛围还挺好的，结局拉胯。角色设置都像是搞笑的，莫名其妙的“反派”跟一厢情愿地相信公路上全是好人的一众配角属实不像是东木老爷子电影里的角色。小演员的表演也远不能让我信服这个故事。
超爱！这部变公路片了，个人更喜欢这种节奏，一家人萌翻，老舅MVP了
看得开心不就行了，所有celebrate weirdness的电影都加一星！
很久没看到这么难看的动画电影了...亚当斯1还是好看的来着...
剧情是略显俗套的老少配公路片，少年获得温暖与成长，老者散发余热光芒；老牛仔的片子看一部少一部。
续集节奏也太差了，东拼西凑的完全没有给每个人形象加成，叔叔完全变成工具人…也没有第一部那种阴森森的搞笑氛围了，失去了addams的灵魂…
亚当斯一家‖暗黑搞笑一家人，请再来100集
主线和人物细节都没有第一部好看，故事愈发低幼化就很无趣。
东木头似乎已经老到懒得琢磨剧本了，有个灵感填充进套路式剧情就成了一部电影。脸谱式的人物，最终都会解决的小挫折，爷孙的温情，男孩的成长，以及那只神奇的公鸡，仿佛在看迪士尼动画。
还行，其实不太吃这个画风。看完真人版以后觉得动画版一般
老爷子终是在这部片子里，步履蹒跚力不从心了。
其实看到东木这位91岁的老牛仔依然是活跃在大银幕上已经足够让我感动了，本片是延续《完美的世界》的公路片模式，但是把情节进一步简单化，没有强烈的冲突，只有一位迟暮的老驯马师对一个小屁孩的人生教诲，也是献给自己的一个童话。边境风光很美，配乐很动人，雄鸡也很上镜，一切都那么简单质朴。（7/10）
本来想给三星，但我真的想想都气不过，除了一家人形象没变，还有一点亚当斯一家的氛围吗？全是烂透了的套路小片段，别去环球旅行了！就呆在庄园里拍日常都比这好一百倍！
公路美景，半路艳遇，治愈且温暖，东木老爷子用自己的镜头和台词来表达他想对观众说的话。真的是老当益壮，91岁高龄。真正把生命献给电影的人
剧情简单，下饭电影，亚当斯一家之女儿的身世。
choose your own family这条线居然能这么阐述也很让人（仅代表我自己）想不通，
感觉比第一部搞笑情节多了？但我不明白既然是亲生的，那父亲为什么要一直逃跑。oscar配音父亲，所以我一看到父亲的脸自动带入oscar的脸😂😂😂
没之前那么阴暗了，不过我喜欢Wednesday
主线和人物细节都没有第一部好看，故事愈发低幼化就很无趣。
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