Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
温情爽片。韩寒学学人家怎么拍改装车的。朴素丹演的太轻松了。
开头觉得还不错，结果只有开头不错。对于小朋友叫女主大婶非常不理解。
故事还可以，就是声音实在有些刺耳，孩子的评价也就还行吧
剧情很套路，没啥大的惊喜，主要是朴素丹演得好酷啊，飙车戏和打戏都很流畅，非常喜欢朴素丹演这种类型的女主。
真的超级有意思 超级好看 很喜欢里面的情节
韩版的极速的士，一开始的飙车场景设计的可看性不错。
性转版《大叔》不至于，性转版《玩命速递》倒更加恰当。飒飒的朴素丹+萌萌小正太的二人组，任谁看了都会觉得舒适到骨子里。作为商业电影，「特送」的完成度已然很高（起码不烂尾），飙车戏打斗戏都很精彩，不敷衍不拖沓，剧情推进与视觉效果也都还OK。至于创新什么的仁者见仁，说拼接也好讲套路也罢，商业片能做到这样已然算得上用心，规整踏实，还求什么呢？
韩国政治正确的人设就是脱北女难民。捎带着黑一把华人。
棒子的警察好惨，以前还是拐弯抹角地黑，现在就直接警察变成黑社会了，影片要是以飘在海水中那串钥匙做为结尾，那就更令人有悬念和想像空间了，为啥后面还要狗尾续貂来个大团圆，一点余味都没有了。
朴素丹的颜值在这部戏里已经爆表了，感觉就是为了他量身定做的，动作干净整齐，飙车环节也有种看初版速度与激情的热血感，剧情节奏紧凑，没那么多婆婆妈妈的感情线路，小孩子颜值也超级在线，结局也是HE，合格的爆米花电影。
早年元彬的《特工》，杰森·郭达的《人贩》，都是这类型，故事嘛，大同小异。
金道振32岁，金赛纶10岁，称呼大叔，是叔侄。
犯罪➕喜剧是经典美式，但赛车现在要好看，就必须非常好看，《的士速递》和《速度与激情》，二选一就可以
除了音乐和开头绕过火车外，和大叔相比有点无聊，女主也太丑了
快进看，都嫌着急。
杰森斯坦森的韩国版。只能说是合格商业片，内容基本没变，动作比原作降级了。
温情爽片。韩寒学学人家怎么拍改装车的。朴素丹演的太轻松了。
车戏还可以，感情过渡很突然，结局强行he还想搞个第二部？女主角说，开车是我，打架是我，你算什么男朋友，挺有趣的。
比大叔差远了，最起码大叔里“孩子”那个角色不会让我觉得讨厌
“所有人物在出场的第一帧就可以预测到全部行为轨迹”的典范之作。
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