Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
真是应了中年少女这个词 表演17岁的心态和动作有些做作 总体上可以接受
女主最近出櫃了hhh這個電影可愛程度加倍！
一直很喜欢女主，看过一些作品，但是这部虽然说题材挺新…但是有点太肤浅了…成年人去解决高中生的问题，就没什么好看的…只能当喜剧看轻松一下吧
丢掉皇冠，那不是打开幸福的钥匙。满意的生活不是外界的加冕，是靠自己努力的发现。
前半部好像是右派諷刺左派，後半部又好像是向左派致敬～
笑点还是很多的，40岁的身体17岁的灵魂，演技够了，话说怎么女主瘦了那么多啊，原来的形象其实挺可爱的，瘦了偶尔某些角度比较像小雀斑
死亡之后探寻真相，家庭，学校，朋友，颇有悬疑氛围，重新回到生活的轨道，换种角度去看待一切，珍惜拥有的所有，不错过每一个善待你的人。
总体还是很欢快的。重回高中争夺皇后的老套情节，主要看搞笑和各种开放段子吧，其实挺感慨美丽国的教育方式的，确实个体的开放和自由才能激发人的发散和创造思维，这才是我们值得学习的地方。
就喜欢看美国青春无脑电影 虽然后面的剧情突然就很怪 人物性格转变太快 但我还是很爱看
二十年后可以改一下，和剧中相反的思路，会很吸引人
我还以为是穿越回去，结果是昏迷20年后再回去上学，造成昏迷的实在是过分又犯罪了吧，剧情也好熟套
Rebel Wilson瘦了好多，虽然还是挺可爱的但是更喜欢她之前那种风格强烈的外形。剧情看了预告片就全知道了，片中一切矛盾都是小打小闹就解决了，女主成长了吗？成长了。哪些方面成长了？hmmm…… 以及取消了舞会皇后、拉拉队只喊一些白左口号的学校，看似人人平等尊重个性，其实只是由influencer意见领袖网红学生取代了啦啦队队长而已。好像变了又好像什么都没变。
Could be better but it definitely chose not to. #playsafe#
我爆哭😭😭
“胖艾米”一如既往的影视谐星形象，轻松的爆米花电影。
男生啦啦队队长，37岁女主的同学好朋友，哇！真的好帅哇～（感觉他和2022年舞会王子嘿嘿💙）
很老套的剧情，很经典的美国校园生活。还可以吧，打发时间看看，女主勇气可嘉。
好玩 不过女主心态真好啊，不去计较过去丢失的二十年吗
现在连这些片子拍的都不如原来好看了么 总觉得这个时候再拍这些就不能是这样的了 情节老套生硬 真的非常cringy cluless的女主再出现很惊喜但说的那段话是大可不必….
作为喜剧真的很好笑了。2000年初很多这种类型的喜剧，现在很少了。希望网飞多出几部啊！Rebel Wilson还是很搞笑的！
Copyright © 2015-2023 All Rights Reserved
