Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
偷偷拉手指 偷偷牵手 偷偷看你 这些小动作 都好戳我！真的是好几幕亲亲的片段 我好紧张她们 生怕被别人看见 看到安全度过 内心松了一口气。明明互相相爱 却不能在一起，还是非常意难平😢 虽然结局又很真实
也许所有的遇见都是缘，只是有的是不被认可的。感觉女主是不是闯进了别人的桃花源，看似美好充满爱的地方，其实不然。
宗教运用得比较廉价。姬仔的呼吸拿捏得不错。
uncle roger say: thisu isu nota lesbian. You bad bad. Shaku my head.
这种腻在一起生活 具有相同的价值观和爱好以及相似的家庭背景 再加上只对同性有chemistry 才促成了love is love吧 另外同性之爱就一定是偷偷摸摸的题材吗 希望开放的文明国家能多拍点其他背景的片
not gonna let me go？💔💔
多一星给她们的chemistry。What the fuck给剧情。
虽然我很爱BE，但是我EX带着孩子出现在我面前并告诉我孩子的名字跟我有关，我会感动到不能自己然后对她说Go fuck yourself.
不过，如果一个女同喜欢一个非女同，可能会有性骚扰的嫌疑。
So now, pretty much every religion feels like a cult to me…
ta永远不会变老 不会变丑 永远都是记忆中的模样
五星给演员的颜值和两个人的性张力！！
王长田敢干票大的吗？光线除了小成本翻拍还会干嘛？艺术是为了创作而非剽窃赚钱。
好无聊的电影以及被污名化的宗教，有一万点想吐槽的地方！这就去看伦敦生活回回血
或许就是因为几乎按着原版来拍的 少了当代表达反而让片子没有了油腻的青春感//我们似乎从来都是“长大了你就明白了”这样的教育 并不会真的让你明白寻找人生中真正热爱的重要性 也不会告诉你做自己会有多快乐 只会告诉你人生短短几十年必须要完成某几项世俗意义上重要的事情仿佛成功尽在掌握 我们仿佛没有试错的机会也没有走弯路的时间//可惜了 反叛太难 我们最后还是会认同唯一一种价值观
不婚不育 永葆青春…Marika最后得到想要的答案又有什么意义呢 即使是心里想要的 也已经回不去了 不要妥协啦！
即使沒有在一起，有的人依舊是生命中的唯一。
我对结尾的理解是，宗教不能救赎人，但是爱可以。我可太爱Jaime的颜了🥺
I can believe enough for both of us
yclf已成为本人年度最佳姬片...两位眼神一碰感觉可以起火，打五星纯属是翻来覆去看了好几遍看出感情了
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